University of Kentucky Memorial Hall mural: Difference between revisions
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{{Display censorship incident | {{Display censorship incident | ||
|ongoing=yes | |ongoing=yes | ||
|year=1934, | |||
|region=North America | |region=North America | ||
|artist=Ann Rice O’Hanlon, | |artist=Ann Rice O’Hanlon, | ||
| Line 7: | Line 8: | ||
|medium=Painting, Public Art | |medium=Painting, Public Art | ||
|date_of_action=November 25, 2015 | |date_of_action=November 25, 2015 | ||
|location=Lexington, Kentucky | |location=Lexington, Kentucky, United States of America | ||
|description_of_content=Ann Rice O'Hanlon | |description_of_content=Ann Rice O'Hanlon painted a 38 feet wide by 11 feet tall fresco in the University of Kentucky's Memorial Hall in 1934 depicting southern life in a variety of visual vignettes. The artist was an alumna of the University of Kentucky who painted the work in 1934 as part of the Public Works of Art project. The mural portrays the construction of log cabins, fishing off a bridge, passengers riding in a train, and horse training. It also depicts four African-Americans in a line bending over to pick tobacco, white individuals dancing to music played by black musicians, and a Native American peering from the woods at a white woman gathering water from a stream. The artist used bright colors, solid figures, and a large landscape view. | ||
|description_of_incident= | |description_of_incident=In early November, around two dozen black students expressed offense to University of Kentucky President Eli Capilouto at the depiction of slavery in the mural. On November 23, Capiluoto released a statement saying, | ||
"One African American student recently told me that each time he walks into class at Memorial Hall he looks at the black men and women toiling in tobacco fields and receives the terrible reminder that his ancestors were enslaved, subjugated by his fellow humans. Worse still, the mural provides a sanitized image of that history." | "One African American student recently told me that each time he walks into class at Memorial Hall he looks at the black men and women toiling in tobacco fields and receives the terrible reminder that his ancestors were enslaved, subjugated by his fellow humans. Worse still, the mural provides a sanitized image of that history." | ||
On November 25, the entire painting was covered in white sheets. Capiluoto referred to the shrouding as an interim action, as a "long-term answer will take some time." | On November 25, the entire painting was covered in white sheets. Capiluoto referred to the shrouding as an interim action, as a "long-term answer will take some time." | ||
|description_of_result=The novelist Wendell Berry, related to the artist by marriage and a University of Kentucky alumni, published a critique of shrouding | |description_of_result=The novelist Wendell Berry, related to the artist by marriage and a University of Kentucky alumni, published a critique of the shrouding in the Lexington Herald-Leader, aruging, “Ann painted the Memorial Hall fresco in 1934, when it took some courage to declare so boldly that slaves had worked in Kentucky fields...Nobody would have objected if she had left them out. The uniform clothing and posture of the workers denotes an oppressive regimentation. The railroad, its cars filled with white passengers, seems to be borne upon the slaves’ bent backs.” | ||
As of December 10, 2015, the mural remains shrouded. | As of December 10, 2015, the mural remains shrouded. | ||
|source=https://www.washingtonpost.com/news/grade-point/wp/2015/12/01/u-of-kentucky-shrouds-a-1934-mural-that-depicts-african-american-slaves/, http://uknow.uky.edu/content/memorial-hall-mural-chance-heal-wounds-gain-broader-perspective, http://ncac.org/blog/shrouding-history-or-protecting-students-university-of-kentucky-covers-1930s-mural/, | |source=https://www.washingtonpost.com/news/grade-point/wp/2015/12/01/u-of-kentucky-shrouds-a-1934-mural-that-depicts-african-american-slaves/, http://uknow.uky.edu/content/memorial-hall-mural-chance-heal-wounds-gain-broader-perspective, http://ncac.org/blog/shrouding-history-or-protecting-students-university-of-kentucky-covers-1930s-mural/, | ||
}} | }} | ||
Revision as of 23:37, 10 December 2015
Artist: Ann Rice O’Hanlon
Year: 1934
Date of Action: November 25, 2015
Region: North America
Location: Lexington, Kentucky, United States of America
Subject: Racial/Ethnic
Medium: Painting, Public Art
Confronting Bodies: University of Kentucky
Description of Artwork: Ann Rice O'Hanlon painted a 38 feet wide by 11 feet tall fresco in the University of Kentucky's Memorial Hall in 1934 depicting southern life in a variety of visual vignettes. The artist was an alumna of the University of Kentucky who painted the work in 1934 as part of the Public Works of Art project. The mural portrays the construction of log cabins, fishing off a bridge, passengers riding in a train, and horse training. It also depicts four African-Americans in a line bending over to pick tobacco, white individuals dancing to music played by black musicians, and a Native American peering from the woods at a white woman gathering water from a stream. The artist used bright colors, solid figures, and a large landscape view.
The Incident: In early November, around two dozen black students expressed offense to University of Kentucky President Eli Capilouto at the depiction of slavery in the mural. On November 23, Capiluoto released a statement saying,
"One African American student recently told me that each time he walks into class at Memorial Hall he looks at the black men and women toiling in tobacco fields and receives the terrible reminder that his ancestors were enslaved, subjugated by his fellow humans. Worse still, the mural provides a sanitized image of that history."
On November 25, the entire painting was covered in white sheets. Capiluoto referred to the shrouding as an interim action, as a "long-term answer will take some time."
Results of Incident: The novelist Wendell Berry, related to the artist by marriage and a University of Kentucky alumni, published a critique of the shrouding in the Lexington Herald-Leader, aruging, “Ann painted the Memorial Hall fresco in 1934, when it took some courage to declare so boldly that slaves had worked in Kentucky fields...Nobody would have objected if she had left them out. The uniform clothing and posture of the workers denotes an oppressive regimentation. The railroad, its cars filled with white passengers, seems to be borne upon the slaves’ bent backs.”
As of December 10, 2015, the mural remains shrouded.
Source:
• https://www.washingtonpost.com/news/grade-point/wp/2015/12/01/u-of-kentucky-shrouds-a-1934-mural-that-depicts-african-american-slaves/,
• http://uknow.uky.edu/content/memorial-hall-mural-chance-heal-wounds-gain-broader-perspective,
• http://ncac.org/blog/shrouding-history-or-protecting-students-university-of-kentucky-covers-1930s-mural/
