American Liberty Upside Down (painting): Difference between revisions

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====Date: [[:Category:1975 - 1984|1975 - 1984]] [[:Category:|]] [[:Category:|]]====
====Date: [[:Category:1983|1983]]====


====Region: [[:Category:North America|North America]] [[:Category:|]] [[:Category:|{location3}]]====
====Region: [[:Category:North America|North America]]====


====Subject: [[:Category:Religious|Religious]] [[:Category:|]] [[:Category:|]]====
====Subject: [[:Category:Religion|Religion]] ====


====Medium: [[:Category:Painting|Painting]] [[:Category:|]] [[:Category:|]]====
====Medium: [[:Category:Painting|Painting]]====
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'''Artist:''' Mary Cate Carroll
'''Artist:''' Mary Cate Carroll
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'''Location:''' Mary Washington College, Fredericksburg, VA
'''Location:''' Mary Washington College, Fredericksburg, VA


'''Description of Artwork:''' The painting, American Liberty Upside Down... this is a work depicting an American family scene -- a man and a woman sitting on a couch, and a child on the mother's lap. But the child is depicted only in red dotted outline. In the middle of the child I built an actual door which the view can open if you open the door you will see the actual remains preserved in formaldehyude of a saline abortion-- a small greenish male fetus/child curled up head down in a real jar. The artwork was censored by the art department of Mary Washington College and removed from an already hung show to which I was invited before the actual opening.
'''Description of Artwork:''' The painting is a work depicting an American family scene. A man and a woman are sitting on a couch with a child on the mother's lap. The child is depicted only in red dotted outline. In the middle of the child is an actual door which the viewer can open. When the door is opened, the actual remains preserved in formaldehyde of a saline abortion-- a small greenish male fetus curled up head down in a jar, can be seen. The artwork was censored by the art department of Mary Washington College and removed from an already hung show.  


'''The Incident:''' I was invited by my Alma Mater to participate in an art show of six alumnae of Mary Washington College. I was told in writing to bring whatever I wanted to show up to six pieces. I brought a series of paintings which I call the American Liberty Series. Two days after I hung the show and before the opening the college called and said there was a problem with two of the paintings and that they had debated whether to remove both and finally decided that the one "American Liberty Upside Down" would have to be removed and I was to come forwith and remove it from the campus. I challenged them on this but they insisted. I called the school and local newspaper. The case escalated into a little national brouhaha when writer/activist, Nat Hentoff, championed my cause in articles in the Village Voice, The Washington Post, and the Los Angeles Times. A detailed description of my case can be found in Nat Hentoff's 1993 book, "Free Speech for Me but Not for Thee". It should be noted that the censorship of this artwork was not covered by any Art Periodical or any Art Critic because I believe the Art world while decrying censorship regularly censors the work of what they deem the politically incorrect. It was after all the Art Department that did the initial censorship.
'''The Incident:''' Mary Cate Carroll was invited by Alma Mater to participate in an art show of six alumnae of Mary Washington College. She was told in writing to bring whatever she wanted to show. She brought a series of paintings called the ''American Liberty'' Series. Two days after the show was hung, the college decided that "American Liberty Upside Down" would have to be removed. Carroll called the school and local newspaper. The case escalated into a little national brouhaha when writer and activist, Nat Hentoff, championed her cause in articles in the ''Village Voice'', The ''Washington Post'', and the ''Los Angeles Times''. A detailed description of the case can be found in Nat Hentoff's 1993 book, ''Free Speech for Me but Not for Thee''.  


'''Results of Incident:''' Two year court battle. I sued college. We settled out of court. The college showed the piece two years later. I became persona non grata in the "art world."
'''Results of Incident:''' Carroll sued the college and after a two year court battle, showed the piece.  


'''Source:''' My own experience. Mary Cate Carroll (Finksburg, MD)
'''Source:''' Mary Cate Carroll (Finksburg, MD)


[[Category:1975 - 1984]]
[[Category:1983]]
[[Category:]]
[[Category:1980s]]
[[Category:]]
[[Category:20th century]]
[[Category:North America]]
[[Category:North America]]
[[Category:]]
[[Category: United States]]
[[Category:]]
[[Category: Maryland]]
[[Category:Religious]]
[[Category:Religion]]
[[Category:]]
[[Category:]]
[[Category:Painting]]
[[Category:Painting]]
[[Category:]]
[[Category:]]
[[Category:Mary Cate Carroll]]
[[Category:Mary Cate Carroll]]


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{{DISPLAYTITLE:<span style="font-style: italic;">American Liberty Upside Down</span> (painting)}}

Latest revision as of 17:26, 25 July 2011

Date: 1983

Region: North America

Subject: Religion

Medium: Painting


Artist: Mary Cate Carroll

Confronting Bodies: Mary Washington College and its Art Department

Dates of Action: October 1983

Location: Mary Washington College, Fredericksburg, VA

Description of Artwork: The painting is a work depicting an American family scene. A man and a woman are sitting on a couch with a child on the mother's lap. The child is depicted only in red dotted outline. In the middle of the child is an actual door which the viewer can open. When the door is opened, the actual remains preserved in formaldehyde of a saline abortion-- a small greenish male fetus curled up head down in a jar, can be seen. The artwork was censored by the art department of Mary Washington College and removed from an already hung show.

The Incident: Mary Cate Carroll was invited by Alma Mater to participate in an art show of six alumnae of Mary Washington College. She was told in writing to bring whatever she wanted to show. She brought a series of paintings called the American Liberty Series. Two days after the show was hung, the college decided that "American Liberty Upside Down" would have to be removed. Carroll called the school and local newspaper. The case escalated into a little national brouhaha when writer and activist, Nat Hentoff, championed her cause in articles in the Village Voice, The Washington Post, and the Los Angeles Times. A detailed description of the case can be found in Nat Hentoff's 1993 book, Free Speech for Me but Not for Thee.

Results of Incident: Carroll sued the college and after a two year court battle, showed the piece.

Source: Mary Cate Carroll (Finksburg, MD)