Coonskin: Difference between revisions

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(Created page with "{{Display censorship incident |ongoing=no |year=1970’s |region=North America |artist=Ralph Bakshi, |subject=Political/Economic/Social Opinion |medium=Film Video |description...")
 
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{{Display censorship incident
{{Display censorship incident
|ongoing=no
|ongoing=no
|year=1970’s
|year=1974
|region=North America
|region=North America
|artist=Ralph Bakshi,
|artist=Ralph Bakshi,
|subject=Political/Economic/Social Opinion
|subject=Political/Economic/Social Opinion
|confronting_bodies=Congress for Racial Equality (CORE)
|medium=Film Video
|medium=Film Video
|date_of_action=November 1974
|description_of_content=Cinema
|description_of_content=Cinema
|description_of_incident=Coonskin was screened for the first time at the Museum of Modern Art, and a controversy exploded. While many members of that audience responded enthusiastically, several leaders of the Harlem chapter of the Congress for Racial Equality (CORE) vehemently attacked the film during a question‐and‐answer session with Bakshi.
|description_of_incident="Coonskin was screened for the first time at the Museum of Modern Art, and a controversy exploded. While many members of that audience responded enthusiastically, several leaders of the Harlem chapter of the Congress for Racial Equality (CORE) vehemently attacked the film during a question‐and‐answer session with Bakshi."
|description_of_result="CORE mounted an intensive campaign to stop the film's release—a campaign that included picketing the New York headquarters of Gulf and Western, the conglomerate that owns Paramount Pictures, which had put up the money for “Coonskin.” At length, Paramount decided not to distribute the film."
|source=https://www.nytimes.com/1975/07/20/archives/the-campaign-to-suppress-coonskin-it-depicts-blacks-as-slaves.html
|source=https://www.nytimes.com/1975/07/20/archives/the-campaign-to-suppress-coonskin-it-depicts-blacks-as-slaves.html
}}
}}

Revision as of 04:18, 20 November 2018


Artist: Ralph Bakshi

Year: 1974

Date of Action: November 1974

Region: North America


Subject: Political/Economic/Social Opinion

Medium: Film Video

Confronting Bodies: Congress for Racial Equality (CORE)

Description of Artwork: Cinema

The Incident: "Coonskin was screened for the first time at the Museum of Modern Art, and a controversy exploded. While many members of that audience responded enthusiastically, several leaders of the Harlem chapter of the Congress for Racial Equality (CORE) vehemently attacked the film during a question‐and‐answer session with Bakshi."

Results of Incident: "CORE mounted an intensive campaign to stop the film's release—a campaign that included picketing the New York headquarters of Gulf and Western, the conglomerate that owns Paramount Pictures, which had put up the money for “Coonskin.” At length, Paramount decided not to distribute the film."

Source:
https://www.nytimes.com/1975/07/20/archives/the-campaign-to-suppress-coonskin-it-depicts-blacks-as-slaves.html