https://wiki.ncac.org/index.php?title=Dead_Iraqi_Soldier,_Ken_Jarecke_(photograph)&feed=atom&action=historyDead Iraqi Soldier, Ken Jarecke (photograph) - Revision history2024-03-29T08:53:36ZRevision history for this page on the wikiMediaWiki 1.39.6https://wiki.ncac.org/index.php?title=Dead_Iraqi_Soldier,_Ken_Jarecke_(photograph)&diff=12669&oldid=prevJoyeria02 at 15:53, 14 November 20162016-11-14T15:53:28Z<p></p>
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</table>Joyeria02https://wiki.ncac.org/index.php?title=Dead_Iraqi_Soldier,_Ken_Jarecke_(photograph)&diff=10988&oldid=prevCaleb Savage at 20:12, 8 April 20132013-04-08T20:12:35Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Jarecke was quoted as saying "If I don't make pictures like this, people like my mother will think what they see in war is what they see in movies." This underscores the importance of graphic war photography. Much of the Gulf War imagery which was accessible to the public consisted of video footage from bomb-dropping planes. It visually reduced the conflict to the level of a video game, allowing the public to feel disconnected from the violence. Jarecke's image was a rare example of a boots-on-the-ground photojournalism, demonstrating the fact that these bombs were being dropped on actual human beings, not arbitrary targets in a game.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Jarecke was quoted as saying "If I don't make pictures like this, people like my mother will think what they see in war is what they see in movies." This underscores the importance of graphic war photography. Much of the Gulf War imagery which was accessible to the public consisted of video footage from bomb-dropping planes. It visually reduced the conflict to the level of a video game, allowing the public to feel disconnected from the violence. Jarecke's image was a rare example of a boots-on-the-ground photojournalism, demonstrating the fact that these bombs were being dropped on actual human beings, not arbitrary targets in a game.</div></td></tr>
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</table>Caleb Savagehttps://wiki.ncac.org/index.php?title=Dead_Iraqi_Soldier,_Ken_Jarecke_(photograph)&diff=10987&oldid=prevCaleb Savage at 20:10, 8 April 20132013-04-08T20:10:39Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The case raises questions about photojournalism in the context of modern warfare and the problems associated with private censorship of journalism. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The case raises questions about photojournalism in the context of modern warfare and the problems associated with private censorship of journalism. </div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Jarecke was quoted as saying "If I don't make pictures like this, people like my mother will think what they see in war is what they see in movies." This underscores the importance of graphic war photography. Much of the Gulf War imagery which was accessible to the public consisted of video footage from bomb-dropping planes. It visually reduced the conflict to the level of a video game, allowing the public to feel disconnected from the violence. Jarecke's image was a rare example of a boots-on-the-ground photojournalism, demonstrating the fact that these bombs were being dropped on actual human beings, not arbitrary targets in a game.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Jarecke was quoted as saying "If I don't make pictures like this, people like my mother will think what they see in war is what they see in movies." This underscores the importance of graphic war photography. Much of the Gulf War imagery which was accessible to the public consisted of video footage from bomb-dropping planes. It visually reduced the conflict to the level of a video game, allowing the public to feel disconnected from the violence. Jarecke's image was a rare example of a boots-on-the-ground photojournalism, demonstrating the fact that these bombs were being dropped on actual human beings, not arbitrary targets in a game.</div></td></tr>
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</table>Caleb Savagehttps://wiki.ncac.org/index.php?title=Dead_Iraqi_Soldier,_Ken_Jarecke_(photograph)&diff=10986&oldid=prevCaleb Savage at 20:05, 8 April 20132013-04-08T20:05:12Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|medium=Journalism, Photography</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|medium=Journalism, Photography</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|date_of_action=March 10, 1991</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|date_of_action=March 10, 1991</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|location=Basra, Iraq </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|location=Basra, Iraq</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|description_of_content=Photojournalist Ken Jarecke captured an image of the charred corpse of an Iraqi soldier trying to escape from a burned out vehicle in March 1991, during the first Gulf War conflict. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|description_of_content=Photojournalist Ken Jarecke captured an image of the charred corpse of an Iraqi soldier trying to escape from a burned out vehicle in March 1991, during the first Gulf War conflict.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|description_of_incident=When the image reached the New York offices of the Associated Press, the image was deemed too graphic for distribution. It was pulled from the wire.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|description_of_incident=When the image reached the New York offices of the Associated Press, the image was deemed too graphic for distribution. It was pulled from the wire.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|description_of_result=The image did not appear in mainstream United States media. Because it was censored by the Associated Press before distribution, it was not released to newspaper editors and individual papers were not given the opportunity to use their own discretion on whether or not to publish it. It was published only by the London Observer, where it generated considerable controversy. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|description_of_result=The image did not appear in mainstream United States media. Because it was censored by the Associated Press before distribution, it was not released to newspaper editors and individual papers were not given the opportunity to use their own discretion on whether or not to publish it. It was published only by the London Observer, where it generated considerable controversy.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|image=dead iraqi soldier</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|source=http://news.bbc.co.uk/2/hi/middle_east/4528745.stm</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The case raises questions about photojournalism in the context of modern warfare and the problems associated with private censorship of journalism. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">It's important to note that the Associated Press censored the image of its own volition, and was not forced to do so by any governmental or military entity. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Jarecke was quoted as saying "If I don't make pictures like this, people like my mother will think what they see in war is what they see in movies." This underscores the importance of graphic war photography. Much of the Gulf War imagery which was accessible to the public consisted of video footage from bomb-dropping planes. It visually reduced the conflict to the level of a video game, allowing the public to feel disconnected from the violence. Jarecke's image was a rare example of a boots-on-the-ground photojournalism, demonstrating the fact that these bombs were being dropped on actual human beings, not arbitrary targets in a game.</ins></div></td></tr>
</table>Caleb Savagehttps://wiki.ncac.org/index.php?title=Dead_Iraqi_Soldier,_Ken_Jarecke_(photograph)&diff=10984&oldid=prevCaleb Savage: Created page with "{{Display censorship incident |ongoing=no |year=1991 |region=North America |artist=Ken Jarecke |subject=Violence |confronting_bodies=Associated Press |medium=Journalism, Photo..."2013-04-08T19:51:28Z<p>Created page with "{{Display censorship incident |ongoing=no |year=1991 |region=North America |artist=Ken Jarecke |subject=Violence |confronting_bodies=Associated Press |medium=Journalism, Photo..."</p>
<p><b>New page</b></p><div>{{Display censorship incident<br />
|ongoing=no<br />
|year=1991<br />
|region=North America<br />
|artist=Ken Jarecke<br />
|subject=Violence<br />
|confronting_bodies=Associated Press<br />
|medium=Journalism, Photography<br />
|date_of_action=March 10, 1991<br />
|location=Basra, Iraq <br />
|description_of_content=Photojournalist Ken Jarecke captured an image of the charred corpse of an Iraqi soldier trying to escape from a burned out vehicle in March 1991, during the first Gulf War conflict. <br />
|description_of_incident=When the image reached the New York offices of the Associated Press, the image was deemed too graphic for distribution. It was pulled from the wire.<br />
|description_of_result=The image did not appear in mainstream United States media. Because it was censored by the Associated Press before distribution, it was not released to newspaper editors and individual papers were not given the opportunity to use their own discretion on whether or not to publish it. It was published only by the London Observer, where it generated considerable controversy. <br />
}}</div>Caleb Savage