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{{Display censorship incident
====Date: [[:Category:2002|2002]]====
|ongoing=no
|year=2020
|region=North America
|artist=Xandra Ibarra
|subject=Sexual/Gender Orientation
|confronting_bodies=San Antonio Department of Arts & Culture
|medium=Film Video
|location=San Antonio, Texas
|description_of_content=Created in 2014 from a live 2004 performance, Ibarra’s work addresses racial and gender stereotypes through the artist’s performance as a minstrel Mexican housewife who takes on her “racial bondage to hot sauce, tacos, and demographic panic” in a humorous retro border corrida.
|description_of_incident=Suzy González and Michael Menchaca, under their collective name “Dos Mestizx,” curated the exhibition “XicanX: New Visions” celebrating Chicano art at Centro de Artes, a downtown gallery owned by and funded by the City of San Antonio Department of Arts & Culture. On the day of the opening, Ibarra’s video work “Spictacle II: La Tortillera” was removed upon orders from the city, despite the curators complying with city requests to curtain off the work with advisory signage. San Antonio’s Department of Arts & Culture removed the artwork by Xandra Ibarra from this exhibition because of apparent discomfort with its unconventional representations of sexuality and the challenge it presents to gender stereotypes.


San Antonio’s city attorney determined that the work violated a Texas statute disallowing “obscene content,” despite the work not meeting the legal definition of obscenity upheld in Miller v. California (1973), which exempts material with “serious literary, artistic, political, or scientific value.” Ibarra is a well-recognized performance artist. Her work has been shown in museums and other established venues like El Museo de Arte Contemporañeo (Bogotá, Colombia), the Broad Museum (LA, USA), ExTeresa Arte Actual (DF, Mexico), PPOW Gallery (NYC), Anderson Collection (Stanford) and the Yerba Buena Center for the Arts (SF). The work in question has been exhibited nationally and internationally, including at Centro Nacional de las Artes in Mexico City, and the National Museum of Women in the Arts in Washington, DC.
====Region: [[:Category:North America|North America]]====
|description_of_result=Despite a determination that the work did have serious artistic value, the Arts Commission voted to leave the final decision to the director of the Department of Arts & Culture, Debbie Racca-Sittre. Racca-Sittre has stated that she has no intention of returning the video work to the exhibition.
|image=IBARRA-600x337.png
|source=https://ncac.org/news/san-antonio-censors-queer-latina-performance-artist-xandra-ibarra, https://aldianews.com/articles/culture/social/art-and-censorship-artists-too-spicy-video-has-censored-city-san-antonio, https://therivardreport.com/centro-de-artes-subcommittee-unanimously-approves-censored-video/, https://www.kqed.org/arts/13875472/texas-city-censors-oakland-artist-xandra-ibarras-obscene-feminist-video, https://hyperallergic.com/544286/xandra-ibarra/
}}


====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]] [[:Category:Religious|Religious]]====


<br>
====Medium: [[:Category:Painting|Painting]]====
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[[File:Lucong.jpg|left]]
'''Artist:''' Cong Lu, "Lucong"
 
'''Confronting Bodies:''' Students at the Art Students League of Denver (ASLD)
 
'''Date of Action:''' November 14, 2002
 
'''Location:''' Denver, Colorado, USA
 
'''Description of Artwork:''' ''Self Portrait of a Martyr'' is a depiction of a young Asian man lifting his shirt up revealing his torso strapped with explosives, and a pistol tucked into his waistband. <P>
 
'''The Incident:''' After Lucong's receipt of a Student Best of Show award his paintings was hung in the main lobby of the ASLD. Shortly thereafter, several students complained about the painting, calling it anti-American, anti-Semitic and anti-Christian. These students wanted the painting moved to a less prominent spot in the school.  <P>
 
'''Results of Incident:''' The artist's right to self-expression and the artworks placement received the full support of the executive director of the ALSD, the faculty and the board of directors. The painting remained in its location. <P>
 
'''Source:''' NCAC, from an article in the RockyMountainNews.com
 
[[Category:2002]]
[[Category:2000s]]
[[Category:21st century]]
[[Category:North America]]
[[Category:Political/Economic/Social Opinion]]
[[Category:Religious]]
[[Category:Painting]]
[[Category:Cong Lu, "Lucong"]]
[[Category:For review]]
 
{{DISPLAYTITLE:<span style="font-style: italic;">Self Portrait of a Martyr</span>}}
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Revision as of 16:59, 3 May 2021

Featured Case: XicanX: New Visions


Date: 2002

Region: North America

Subject: Political/Economic/Social Opinion Religious

Medium: Painting


Lucong.jpg

Artist: Cong Lu, "Lucong"

Confronting Bodies: Students at the Art Students League of Denver (ASLD)

Date of Action: November 14, 2002

Location: Denver, Colorado, USA

Description of Artwork: Self Portrait of a Martyr is a depiction of a young Asian man lifting his shirt up revealing his torso strapped with explosives, and a pistol tucked into his waistband.

The Incident: After Lucong's receipt of a Student Best of Show award his paintings was hung in the main lobby of the ASLD. Shortly thereafter, several students complained about the painting, calling it anti-American, anti-Semitic and anti-Christian. These students wanted the painting moved to a less prominent spot in the school.

Results of Incident: The artist's right to self-expression and the artworks placement received the full support of the executive director of the ALSD, the faculty and the board of directors. The painting remained in its location.

Source: NCAC, from an article in the RockyMountainNews.com




























What is Censorpedia?

Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.

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Researchers can search for a specific case, year or keyword using the search box, as well as browse by medium, by grounds for censorship, or explore a random case.

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