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*<big>[[Form:Censorship_incident|'''Add a Case''']]</big>  
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|year=2020
|region=North America
|artist=Xandra Ibarra
|subject=Sexual/Gender Orientation
|confronting_bodies=San Antonio Department of Arts & Culture
|medium=Film Video
|location=San Antonio, Texas
|description_of_content=Created in 2014 from a live 2004 performance, Ibarra’s work addresses racial and gender stereotypes through the artist’s performance as a minstrel Mexican housewife who takes on her “racial bondage to hot sauce, tacos, and demographic panic” in a humorous retro border corrida.
|description_of_incident=Suzy González and Michael Menchaca, under their collective name “Dos Mestizx,” curated the exhibition “XicanX: New Visions” celebrating Chicano art at Centro de Artes, a downtown gallery owned by and funded by the City of San Antonio Department of Arts & Culture. On the day of the opening, Ibarra’s video work “Spictacle II: La Tortillera” was removed upon orders from the city, despite the curators complying with city requests to curtain off the work with advisory signage. San Antonio’s Department of Arts & Culture removed the artwork by Xandra Ibarra from this exhibition because of apparent discomfort with its unconventional representations of sexuality and the challenge it presents to gender stereotypes.
 
San Antonio’s city attorney determined that the work violated a Texas statute disallowing “obscene content,” despite the work not meeting the legal definition of obscenity upheld in Miller v. California (1973), which exempts material with “serious literary, artistic, political, or scientific value.” Ibarra is a well-recognized performance artist. Her work has been shown in museums and other established venues like El Museo de Arte Contemporañeo (Bogotá, Colombia), the Broad Museum (LA, USA), ExTeresa Arte Actual (DF, Mexico), PPOW Gallery (NYC), Anderson Collection (Stanford) and the Yerba Buena Center for the Arts (SF). The work in question has been exhibited nationally and internationally, including at Centro Nacional de las Artes in Mexico City, and the National Museum of Women in the Arts in Washington, DC.
|description_of_result=Despite a determination that the work did have serious artistic value, the Arts Commission voted to leave the final decision to the director of the Department of Arts & Culture, Debbie Racca-Sittre. Racca-Sittre has stated that she has no intention of returning the video work to the exhibition.
|image=IBARRA-600x337.png
|source=https://ncac.org/news/san-antonio-censors-queer-latina-performance-artist-xandra-ibarra, https://aldianews.com/articles/culture/social/art-and-censorship-artists-too-spicy-video-has-censored-city-san-antonio, https://therivardreport.com/centro-de-artes-subcommittee-unanimously-approves-censored-video/, https://www.kqed.org/arts/13875472/texas-city-censors-oakland-artist-xandra-ibarras-obscene-feminist-video, https://hyperallergic.com/544286/xandra-ibarra/
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<p>Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.</p>
<p>Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression, and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.</p>
<p>Censorpedia documents censorship incidents by providing the who, what, when, where and why. By providing a repository of information about what is vulnerable to censorship and about the strategies and tactics that have defeated previous’ censorship attempts, Censorpedia aids the fight for free expression.</p>
<p>Censorpedia documents censorship incidents by providing the who, what, when, where, and why. By providing a repository of information about what is vulnerable to censorship and about the strategies and tactics that have defeated previous’ censorship attempts, Censorpedia aids the fight for free expression.</p>
<p>Researchers can search for a specific case, year or keyword using the search box, as well as browse by [[:Category:Medium|'''medium''']], by [[:Category:Subject|'''grounds for censorship''']], or explore a [[Special:Randompage|'''random case''']].</p>
<p>Researchers can search for a specific case, year, or keyword using the search box, as well as browse by [[:Category:Medium|'''medium''']], by [[:Category:Subject|'''grounds for censorship''']], or explore a [[Special:Randompage|'''random case''']].</p>
<p>Activists can search for [[:Category:Ongoing_Case|'''ongoing cases''']] or [[Form:Censorship_incident|'''contribute a case''']] that is ongoing or recently resolved.</p>
<p>Activists can search for [[:Category:Ongoing_Case|'''ongoing cases''']] or [[Form:Censorship_incident|'''contribute a case''']] that is ongoing or recently resolved.</p>
<p>Artists and cultural producers are similarly invited to [[Form:Censorship_incident|'''add cases''']] they are directly involved with or are familiar with first hand.</p>
<p>Artists and cultural producers are similarly invited to [[Form:Censorship_incident|'''add cases''']] they are directly involved with or are familiar with firsthand.</p>


<p>Censorpedia builds on the landmark 1994 art project [http://anthology.rhizome.org/the-file-room '''The File Room'''], initiated by Muntadas.</p>
<p>Censorpedia builds on the landmark 1994 art project [http://anthology.rhizome.org/the-file-room '''The File Room'''], initiated by Muntadas.</p>
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<p> [[Censorpedia:Terms_of_Service|Censorpedia Terms of Use]]</p>
<p> [[Censorpedia:Terms_of_Service|Censorpedia Terms of Use]]</p>
 
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Revision as of 13:33, 24 January 2023

→ Add a Case

Featured Case: Sewol_Owol_(painting)



Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587



What is Censorpedia?

Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression, and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.

Censorpedia documents censorship incidents by providing the who, what, when, where, and why. By providing a repository of information about what is vulnerable to censorship and about the strategies and tactics that have defeated previous’ censorship attempts, Censorpedia aids the fight for free expression.

Researchers can search for a specific case, year, or keyword using the search box, as well as browse by medium, by grounds for censorship, or explore a random case.

Activists can search for ongoing cases or contribute a case that is ongoing or recently resolved.

Artists and cultural producers are similarly invited to add cases they are directly involved with or are familiar with firsthand.

Censorpedia builds on the landmark 1994 art project The File Room, initiated by Muntadas.

For more information about censorship visit our Annotated Bibliography


Feel free to:

Browse censorship cases by:


Censorpedia Terms of Use