Mapplethorpe: The Perfect Moment (exhibition)

From Censorpedia

Revision as of 16:32, 24 July 2023 by NCACintern (talk | contribs)
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)

190128 r33620.webp

Date: 1990

Region: North America

Subject: Sexual/Gender Orientation, Explicit Sexuality, Nudity

Medium: Photography

Artist: Robert Mapplethorpe, Contemporary Arts Center of Cincinnati

Confronting Bodies: Cincinnati City officials

Dates of Action: 1990

Location: Cincinnati, Ohio, USA

Description of Artwork: A retrospective show for the late Robert Mapplethorpe which spanned twenty-five years of his career. The comprehensive work included celebrity portraits, self portraits, many nude images (some of which depicted children in various stages of undress), flowers, and sadomasochistic activities. The exhibition opened at the Institute of Contemporary Arts in Philadelphia in the winter of 1988.

The Incident: Many observers and elected officials were extremely disturbed and upset by the nudity of both adults and children in the works and believed that the work was not in accordance with pornography laws in Ohio.

Results of Incident: Officials of the Contemporary Arts Center of Cincinnati restricted access to the museum to those over 18 and relegated the most explicit of the 175 photographs to a separate, further-isolated room. This was not enough, however, to keep a local sheriff from staging a raid on the exhibition and seeking indictments against museum director Dennis Barrie on obscenity charges; nor was it enough to keep the grand jury from handing up an indictment. Although Ohio law deemed it criminal to possess "kiddie-porn materials," legitimate museum displays were an exception. Dennis Barie and the Contemporary Arts Center of Cincinnati were acquitted, but this incident sparked a national debate about what is appropriate for the government to control regarding the content of art. The context these debates created was inhospitable to free expression, particularly artistic renditions of the naked and the nude. Only a year later, another national controversy erupted over the display of lascivious artwork, this time over a print of a Goya painting displayed in a public university classroom. Throughout the decade, controversies over provocative art which received public funding led right-wing Senators like Jesse Helms to campaign for the National Endowment for the Arts to be de-funded.