Michael Meads, painter/photographer: Difference between revisions
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====Date: [[:Category:1995 | ====Date: [[:Category:1995|1995]]==== | ||
====Region: [[:Category:North America|North America | ====Region: [[:Category:North America|North America]]==== | ||
====Subject: [[:Category:Sexual/Gender Orientation|Sexual/Gender Orientation | ====Subject: [[:Category:Sexual/Gender Orientation|Sexual/Gender Orientation]]==== | ||
====Medium: [[:Category:Painting|Painting | ====Medium: [[:Category:Painting|Painting]]==== | ||
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'''Artist:''' Michael Meads | [[File:Meads.jpg|right]] | ||
'''Artist:''' Michael Meads (b. 1966) | |||
'''Confronting Bodies:''' Auburn University faculty and administration | '''Confronting Bodies:''' Auburn University faculty and administration | ||
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'''Source:''' Artistic Freedom Under Attack, 1996 | '''Source:''' Artistic Freedom Under Attack, 1996 | ||
[[Category:1995 | [[Category:1995]] | ||
[[Category:]] | [[Category:1990s]] | ||
[[Category:]] | [[Category:20th century]] | ||
[[Category:North America]] | [[Category:North America]] | ||
[[Category:Sexual/Gender Orientation]] | [[Category:Sexual/Gender Orientation]] | ||
[[Category:Painting]] | [[Category:Painting]] | ||
[[Category:Michael Meads]] | [[Category:Michael Meads]] | ||
{{DEFAULTSORT:Meads, Michael, painter/photographer}} | |||
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Latest revision as of 21:06, 28 December 2011
Date: 1995
Region: North America
Subject: Sexual/Gender Orientation
Medium: Painting
Artist: Michael Meads (b. 1966)
Confronting Bodies: Auburn University faculty and administration
Dates of Action: 1995
Location: Aurburn, Alabama
Description of Artwork: Michael Meads exhibited 40 ink and oil pastel drawings. Meads layered images of theater and orchestra performances, architecture, and portraits of himself surrounded by male models. Five of the works contained nudity but no explicit sex.
The Incident: Meads' exhibit collaborated with the university's performance of John Ford's, "Tis Pity She's a Whore," because the works deal with social and religious taboos. The day before the exhibit's opening, several faculty members suggested that the pieces be removed because they may offend theater patrons and incite controversy.
Results of Incident: After several investigations and meetings between the dean of liberal arts and members of the theater department, the works were allowed to stay. However, fearing that his work could cost the theater and art departments future funding, Meads decided to remove his exhibit.
Source: Artistic Freedom Under Attack, 1996
