View source for Witnesses: Against Our Vanishing

{{Display censorship incident
|ongoing=no
|year=1989
|region=North America
|artist=Group Exhibition,
|subject=Explicit Sexuality
|confronting_bodies=Senator Jesse Helms, Representative William Dannemeyer, the Cardinal John Joseph O’Connor and other right-wing policy-makers
|medium=Installation, Literature, Mixed Media, Painting
|date_of_action=November 16, 1989- January 6, 1990
|location=New York, NY USA
|description_of_content=Nan Goldin organized an exhibition with David Armstrong, Tom Chesley, Dorit Cypris, Philip-Lorca DiCorcia, Jane Dickson, Darrel Ellis, Allen Frame, Peter Hujar, Greer Lankton, Siobhan Liddel, James Nares, Perico Pastor, Margo Pelletier, Clarence Elie Rivera, Vittorio Scarpati, Jo Shane, Kiki Smith, Janet Stein, Stephen Tashjian, Shellburne Thurber, and Ken Tisa, in response to the AIDS crisis. The piece was entitled ''Witnesses: Against Our Vanishing'' and was deeply personal became a type of collective memorial or the artists whose lives were deeply touched by the AIDS crisis.
|description_of_incident=''Witnesses: Against Our Vanishing'' included an extremely controversial essay written by David Wojnarowicz, called "Post Cards from America: X-Rays from Hell." The essay harshly criticized right-wing policy-makers who discouraged increased education of safe sex practices. He believed that an increase in sex education would decrease the threat of AIDS, and believed that by preventing people from receiving proper teaching regarding safe sex, these right-wing policy makers were perpetuating the grave issue of the AIDS crisis.
|description_of_result=Chairman of the National Endowment for the Arts, John Frohnmayer, was especially perturbed by "Post Cards from America: X-Rays from Hell." Because of this, he decided that the NEA would withdraw the $10,000 which they had contributed to the show. There was much dispute over the fund, but it was ultimately partially restored.   The artists did not see this return of the funding as a partial victory, rather they saw it as an instance of government censorship towards AIDS-related material and art.
|image=Screen Shot 2017-06-06 at 1.47.34 PM.png
}}
[http://artistsspace.org/exhibitions/witnesses-against-our-vanishing-3 Witnesses: Against Our Vanishing November 16, 1989 – January 6, 1990]