Smoke gets in your eyes/ 2007: Difference between revisions
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====Region: [[:Category:Europe|Europe]]==== | ====Region: [[:Category:Europe|Europe]]==== | ||
====Subject: [[:Category: | ====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]]==== | ||
====Medium: [[:Category:Installation|Installation]]==== | ====Medium: [[:Category:Installation|Installation]]==== | ||
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'''Results of Incident:''' -invisibilidad de una exposición -censura de una pieza por motivos de seguridad (invisibility of an exhibition-censorship of a piece for security reasons)<P> | '''Results of Incident:''' -invisibilidad de una exposición -censura de una pieza por motivos de seguridad (invisibility of an exhibition-censorship of a piece for security reasons)<P> | ||
'''Source:''' www.theeraserproject.com | '''Source:''' www.theeraserproject.com (NOTE: website no longer in operation) | ||
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[[Category: | [[Category:Spanish]] | ||
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{{DISPLAYTITLE:<span style="font-style: italic;">Smoke gets in your eyes/ 2007</span>}} | {{DISPLAYTITLE:<span style="font-style: italic;">Smoke gets in your eyes/ 2007</span>}} | ||
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Latest revision as of 22:06, 11 November 2016
Date: 2007
Region: Europe
Subject: Political/Economic/Social Opinion
Medium: Installation
Artist: María Marco
Confronting Bodies: Fine Arts Faculty Staff, Barcelona
Date of Action: 13 junio 2007
Location: Fine Arts Gallery, Barcelona, Spain
Description of Artwork: la intervención de una máquina de humo durante una exposición simbolizaba el actual estado de precariedad del artista contemporáneo. El humo representaba la producción artística justificada por visibilidad, contactos, curriculum, es decir, carente de honorarios. Tambien pretendía denunciar las diferencias entre los ingresos de la industria cultural que no se retribuyen en los productores. Tambien era una crítica a las políticas culturales. (The introduction of a fog machine during a presentation symbolized the current precarious state of the contemporary artist. Smoke represented the artistic production justified by visibility, contacts, curriculum, ie without a fee. We also sought to denounce the differences between the cultural industry revenue that is not remunerated to producers. This was also a critique of cultural policies.)
The Incident: La pieza fue censurada y la exposición (colectiva con 11 trabajos más cerrada con llave. (The piece was censored and exposure (11 jobs collective locked.)
Results of Incident: -invisibilidad de una exposición -censura de una pieza por motivos de seguridad (invisibility of an exhibition-censorship of a piece for security reasons)
Source: www.theeraserproject.com (NOTE: website no longer in operation)