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====Date: [[:Category:2010|2010]]====
====Date: [[:Category:2001|2001]]====


====Region: [[:Category:North America|North America]]====
====Region: [[:Category:Europe|Europe]]====


====Subject: [[:Category:Explicit Sexuality|Explicit Sexuality]]====
====Subject: [[:Category:Nudity|Nudity]] and [[:Category:Children|Children]]====


====Medium: [[:Painting|Painting]]====
====Medium: [[:Photography|Photography]]====
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[[File:Hanson3.jpg|left|200 pixels|frame]]
[[File:Violeta Gomez2.jpg|right|thumb]]
'''Artist:''' Kate Hansen
'''Artist:''' Violeta Gomez


'''Confronting Bodies:''' Facebook
'''Confronting Bodies:'''
*Town Hall authorities
*A Spanish Army officer from the Guardia Civil corps
*Judge Concepcion Ferrer


'''Dates of Action:''' March 27-29 2010, April 5, 2010, and April 7, 2010
'''Dates of Action:''' October, 2001


'''Location:''' Facebook
'''Location:''' Museo de Siyasa, Cieza, Spain


'''Description of Artwork:''' This series of paintings is called ''Madonna and Child'', and depicts women breastfeeding or just holding their babies while having a sort of halo above them. <P>
'''Description of Artwork:''' ''Alicia en el pais del amor'' (Alice in Loveland) is a collection of photographic portraits of children, inspired by the photographic work of Lewis Carroll.
[[File:Hanson1.jpg|right]]


'''The Incident:''' Hansen posted one of her ''Madonna and Child'' paintings on a Facebook group page called Portrait and Figure Artists. It was removed on March 27.  Thinking it was a mistake, she re-posted the painting along with some other Madonnas. They were all taken off the site, and she received an email from Facebook, saying that she violated their Terms of Use by posting something hateful, threatening, or obscene. <P>
'''The Incident:''' In 2001, Violeta Gomez held an exhibition titled ''Alice in Loveland'' at the Museo de Siyasa, in Cieza (Spain). It consisted of a series of photographs of female children (aged 7 to 10), most of which had been previously exhibited at the near town of Molina de Segura a few months before. Some of the pictures featured nude or semi-nude children.


'''Results of Incident:''' Hansen responded to Facebook by sending an email questioning their policyFull nude paintings were allowed to remain on the site while hers, which were less explicit and just showed breastfeeding, were taken down.   She started a group on Facebook protesting this policy. <P>
After 20 days, the exhibition was prematurely closed by the Town Hall authorities (owners of the museum) as a result of pressure by Judge Concepcion Ferrer following a report from a Spanish Army officer belonging to the Guardia Civil corps. Immediately after, the judge confiscated all the photographs and ordered a raid at Gomez's house, seizing all her prints and negatives, the exhibitions' leaflets, as well as her literary works, videotapes and some art books by well-known photographers such as Irina Ionescu or Yoji Ishikawa.
 
Gomez was charged with corruption of minors.
 
'''Results of Incident:''' Gomez was not informed about the case development until March 2002, when only the videotapes (mostly movies recorded from the TV) were returned to herIn October 2003 a new judge closed the procedure for lack of any evidence to support the charges in a court. In February 2004 Gomez received notification that the case had ended and her works and belongings were returned some days after. However, some pictures of the exhibition had major damages and many articles were lost: among them, some negatives and prints and the exhibitions' leaflets.
 
Many artists and intellectuals wrote a manifest vindicating Gomez's work and the right to free artistic expression. Artists Joan Fontcuberta and Albert Boadella also supported Gomez.
 
'''Source:''' Violeta Gomez and http://www.artliberated.org/?id=17&p=cases
 
[[Category:2001]]
[[Category:2000s]]
[[Category:21st century]]
[[Category:Europe]]
[[Category:Spain]]
[[Category:Cieza]]
[[Category:Museo de Siyasa]]
[[Category:Nudity]]
[[Category:Children]]
[[Category:Photography]]


'''Source:''' http://www.katehansenart.com/; http://www.facebook.com/group.php?gid=105484426150424&ref=mf; http://www.facebook.com/group.php?gid=109151119105733&ref=mf
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Revision as of 14:23, 20 March 2023

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Date: 2001

Region: Europe

Subject: Nudity and Children

Medium: Photography


Violeta Gomez2.jpg

Artist: Violeta Gomez

Confronting Bodies:

  • Town Hall authorities
  • A Spanish Army officer from the Guardia Civil corps
  • Judge Concepcion Ferrer

Dates of Action: October, 2001

Location: Museo de Siyasa, Cieza, Spain

Description of Artwork: Alicia en el pais del amor (Alice in Loveland) is a collection of photographic portraits of children, inspired by the photographic work of Lewis Carroll.

The Incident: In 2001, Violeta Gomez held an exhibition titled Alice in Loveland at the Museo de Siyasa, in Cieza (Spain). It consisted of a series of photographs of female children (aged 7 to 10), most of which had been previously exhibited at the near town of Molina de Segura a few months before. Some of the pictures featured nude or semi-nude children.

After 20 days, the exhibition was prematurely closed by the Town Hall authorities (owners of the museum) as a result of pressure by Judge Concepcion Ferrer following a report from a Spanish Army officer belonging to the Guardia Civil corps. Immediately after, the judge confiscated all the photographs and ordered a raid at Gomez's house, seizing all her prints and negatives, the exhibitions' leaflets, as well as her literary works, videotapes and some art books by well-known photographers such as Irina Ionescu or Yoji Ishikawa.

Gomez was charged with corruption of minors.

Results of Incident: Gomez was not informed about the case development until March 2002, when only the videotapes (mostly movies recorded from the TV) were returned to her. In October 2003 a new judge closed the procedure for lack of any evidence to support the charges in a court. In February 2004 Gomez received notification that the case had ended and her works and belongings were returned some days after. However, some pictures of the exhibition had major damages and many articles were lost: among them, some negatives and prints and the exhibitions' leaflets.

Many artists and intellectuals wrote a manifest vindicating Gomez's work and the right to free artistic expression. Artists Joan Fontcuberta and Albert Boadella also supported Gomez.

Source: Violeta Gomez and http://www.artliberated.org/?id=17&p=cases