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*<big>[[Form:Censorship_incident|'''Add a Case''']]</big>  
<big>[[Form:Censorship_incident|'''→ Add a Case''']]</big>  
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|year=2010
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|region=North America
|artist=Magazine Companies versus Apple's "No-Nipple" Policy
|subject=Nudity, Political/Economic/Social Opinion
|confronting_bodies=Apple Inc.
|medium=Print Journalism
|date_of_action=May 2010
|location=United States
|description_of_content=Many art and fashion magazines contain nudity or revealing clothing as a form of artistic expression. In 2010, the Apple App Store instituted a “no-nipple” policy, directly affecting magazines sold on the store. This policy upheld Apple’s desire to remain a family-friendly company and not to feature pornography, adult content, or nudity. However, it also limited art and fashion magazines like ''Dazed and Confused'', ''Vice'', and ''Cosmopolitan''.
|description_of_incident=Apples Newsstand feature came out in 2010. This application allowed Apple users to download their favorite books and magazines in one place. With the origination of the Newsstand feature came a new set of guidelines. The guidelines were very general. In one section the company stated, “We will reject Apps for any content or behavior that we believe is over the line. What line, you ask? Well, as a Supreme Court Justice once said, ‘I’ll know it when I see it’. And we think that you will also know it when you cross it.” This established the company as an omnipotent power over what was allowed on the App Store and specifically caused fashion and art magazines to omit much of the content from the Apple versions of their publications. Because of this magazine companies nicknamed their iPad editions the “Iranian versions.”
|description_of_result=Magazines were forced to self-censor, removing images of models that showed nipples or revealed too much skin. If they didn’t submit to this, they risked Apple removing their application from the App Store. However, publishers still tried to push the boundaries of some of their content. For example, ''Cosmopolitan'' included cartoon pictures of people having sex accompanied by a detailed description of their position and their physical actions. This supposedly was not removed by Apple because the magazine was clearly for users seventeen and older, was password protected, and did not contain any real-life nudity. Though Apple made a few exceptions, such as allowing ''The Sun'' to keep their daily topless model known as the “Page 3 Girl,” most questionable fashion and art content, especially bare-breasted models, was not permitted. Consumers and publishers alike contest Apple’s pressure on them to self-censor because though the world of journalism is shifting to a digital medium, Apple does not allow users to fully utilize their resources and acquire the same material in Apple devices as they would in print magazines.
 
In present day Apple still pressures publishers to self-censor and exercises the right to remove content that they do not think upholds Apple’s values. Additionally, Apple places ratings and justifications for these ratings of the magazine apps on the App Store. However, these ratings are highly subjective and inconsistent. In 2013 the American versions of ''Cosmopolitan'', ''Dazed and Confused'', and ''Playboy'' are categorized as “must be at least 17 years old to download this app.” Whereas magazines like Vanity Fair and ''Harper’s Bazaar'' are rated “12+,” though the print versions of these magazines have, in the past, featured nude women on their covers multiple times. And ''Seventeen Magazine'', a magazine whose namesake reveals the audience it targets, is rated a “4+.” Apple does not only censor magazines, but also novels and other applications, and since 2010 they have refused to change this policy.
|image=6a00e55225079e88340133ed76d25c970b-800wi.jpg
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http://www.wordyard.com/2010/09/09/how-will-the-app-stores-new-newsstand-be-censored/
 
http://www.shinyshiny.tv/2010/05/apples_itunes_censors_fashion_magazines.html
 
http://www.dailyfinance.com/2010/08/11/dirty-apps-how-magazines-are-handling-apples-erratic-censorshi/
 
 
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What is Censorpedia?
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<p>Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.</p>
<p>Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression, and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.</p>
<p>Censorpedia documents censorship incidents by providing the who, what, when, where and why. By providing a repository of information about what is vulnerable to censorship and about the strategies and tactics that have defeated previous’ censorship attempts, Censorpedia aids the fight for free expression.</p>
<p>Censorpedia documents censorship incidents by providing the who, what, when, where, and why. By providing a repository of information about what is vulnerable to censorship and about the strategies and tactics that have defeated previous’ censorship attempts, Censorpedia aids the fight for free expression.</p>
<p>Researchers can search for a specific case, year or keyword using the search box, as well as browse by [[:Category:Medium|'''medium''']], by [[:Category:Subject|'''grounds for censorship''']], or explore a [[Special:Randompage|'''random case''']].</p>
<p>Researchers can search for a specific case, year, or keyword using the search box, as well as browse by [[:Category:Medium|'''medium''']], by [[:Category:Subject|'''grounds for censorship''']], or explore a [[Special:Randompage|'''random case''']].</p>
<p>Activists can search for [[:Category:Ongoing_Case|'''ongoing cases''']] or [[Form:Censorship_incident|'''contribute a case''']] that is ongoing or recently resolved.</p>
<p>Activists can search for [[:Category:Ongoing_Case|'''ongoing cases''']] or [[Form:Censorship_incident|'''contribute a case''']] that is ongoing or recently resolved.</p>
<p>Artists and cultural producers are similarly invited to [[Form:Censorship_incident|'''add cases''']] they are directly involved with or are familiar with first hand.</p>
<p>Artists and cultural producers are similarly invited to [[Form:Censorship_incident|'''add cases''']] they are directly involved with or are familiar with firsthand.</p>


<p>Censorpedia builds on the landmark 1994 art project [http://anthology.rhizome.org/the-file-room '''The File Room'''], initiated by Muntadas.</p>
<p>Censorpedia builds on the landmark 1994 art project [http://anthology.rhizome.org/the-file-room '''The File Room'''], initiated by Muntadas.</p>
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<p> [[Censorpedia:Terms_of_Service|Censorpedia Terms of Use]]</p>
<p> [[Censorpedia:Terms_of_Service|Censorpedia Terms of Use]]</p>
 
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{{DISPLAYTITLE:Censorpedia: An Interactive Database of Censorship Incidents}}
{{DISPLAYTITLE:Censorpedia: An Interactive Database of Censorship Incidents}}

Latest revision as of 21:06, 14 July 2023

→ Add a Case

Featured Case: Sewol_Owol_(painting)


Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
• http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587



What is Censorpedia?

Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression, and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.

Censorpedia documents censorship incidents by providing the who, what, when, where, and why. By providing a repository of information about what is vulnerable to censorship and about the strategies and tactics that have defeated previous’ censorship attempts, Censorpedia aids the fight for free expression.

Researchers can search for a specific case, year, or keyword using the search box, as well as browse by medium, by grounds for censorship, or explore a random case.

Activists can search for ongoing cases or contribute a case that is ongoing or recently resolved.

Artists and cultural producers are similarly invited to add cases they are directly involved with or are familiar with firsthand.

Censorpedia builds on the landmark 1994 art project The File Room, initiated by Muntadas.

For more information about censorship visit our Annotated Bibliography


Feel free to:

Browse censorship cases by:


Censorpedia Terms of Use
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