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Please add the case description between the two <nowiki><onlyinclude> </onlyinclude></nowiki> tags. The content (description) shown below will be shown on [[Main Page]].
Please add the case description between the two <onlyinclude> </onlyinclude> tags. The content (description) shown below will be shown on [[Main Page]].
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<onlyinclude>
====Date: [[:Category:2016|2016]]====
{{Display censorship incident
 
|ongoing=no
====Region: [[:Category:North America|North America]]====
|year=2014
 
|region=Asia
====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]]====
|artist=Hong Seong-dam
 
|subject=Political/Economic/Social Opinion
====Medium: [[:Installation|Installation]], [[:Public Art|Public Art]], [[:Sculpture|Sculpture]]====
|confronting_bodies=City government of Gwangju, South Korea
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|medium=Painting
[[File:Olek-KingNeptune.jpg|right|thumb]]
|date_of_action=August, 2014
'''Artist:''' Violeta Gomez
|location=Gwangju Biennale, Gwangju, South Korea
 
|description_of_content=A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.
'''Confronting Bodies:'''Virginia Museum of Contemporary Art (MOCA)
|description_of_incident=The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.
 
|description_of_result=In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its  curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.
'''Dates of Action:''' June/July 2016
|image=park1.jpg
 
|source=http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587
'''Location:''' Virginia Beach, VA
}}
 
'''Description of Artwork:''' A temporary, crocheted covering for Paul DiPasquale’s original sculpture of King Neptune on the boardwalk at Virginia Beach. The work was commissioned by Virginia MOCA for its exhibition “Turn the Page: The First Ten Years of Hi-Fructose.” Olek and a team of volunteers fabricated the covering by hand.
 
'''The Incident:''' When Olek made a last minute decision to add a gas mask to Neptune's face- an overt motif intended to provoke thought about the man-made harm done to the environment—the museum took down the artwork. Olek, who creates large-scale crocheted (and sometimes controversial) artworks, added the gas mask to drive home the message that human pollution has put our oceans and the future of the planet in jeopardy. MOCA officials claim that the addition of the aluminum and rubber gas mask, a structural base for additional crochet, was a breach of Olek’s contract, which specifies the use of environmentally friendly and recycled materials as a symbolic “testament to [the artist’s] commitment to the health of our planet's water.
 
'''Results of Incident:''' Despite NCAC's attempts to help Olek and the museum reach an agreement, the temporary sculpture was not reinstated.
 
'''Source:''' https://www.instagram.com/p/BG36r1pBR4W/, [https://www.instagram.com/p/BG36r1pBR4W/ OlekNYC: Did you know that about 70% of the word's oxygen come from the ocean?]
 
[http://pilotonline.com/entertainment/arts/exhibits/disagreement-between-city-moca-and-international-artist-strips-king-neptune/article_fe6a5a86-d1e8-5d27-865d-073345402eb4.html Disagreement between city, MOCA and international artist strips King Neptune statue of artsy new look, By Denise M. Watson Jun 15, 2016]
 
[http://www.brooklynstreetart.com/theblog/2016/06/18/who-is-that-masked-king-olek-and-virginia-moca-disrobe-neptune/#.V8h2xZMrLeT WHO IS THAT MASKED KING? OLEK AND VIRGINIA MOCA DISROBE NEPTUNE, June 18, 2016]
 
[http://ncac.org/blog/photo-virginia-moca-removes-gas-mask-from-artists-makeover-statue NCAC Statement: The Virginia Museum of Contemporary Art Falls Short of its Mission by Cancelling Site-Specific Installation about the Environment]
 
[[Category:2001]]
[[Category:2000s]]
[[Category:21st century]]
[[Category:Europe]]
[[Category:Spain]]
[[Category:Cieza]]
[[Category:Museo de Siyasa]]
[[Category:Nudity]]
[[Category:Children]]
[[Category:Photography]]
 
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Latest revision as of 20:54, 18 October 2023

Please add the case description between the two tags. The content (description) shown below will be shown on Main Page.



Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587