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Please add the case description between the two <nowiki><onlyinclude> </onlyinclude></nowiki> tags. The content (description) shown below will be shown on [[Main Page]].
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====Date: [[:Category:2015|2015]]====
{{Display censorship incident
 
|ongoing=no
====Region: [[:Category:South America|South America]]====
|year=2014
 
|region=Asia
====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]], [[:Violence|Violence]]====
|artist=Hong Seong-dam
 
|subject=Political/Economic/Social Opinion
====Medium: [[:Installation|Installation]], [[:Public Art|Public Art]], [[:Sculpture|Sculpture]]====
|confronting_bodies=City government of Gwangju, South Korea
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|medium=Painting
[[File:Harmann_Nitsch.jpg|right|thumb]]
|date_of_action=August, 2014
'''Artist:''' Hermann Nitsch
|location=Gwangju Biennale, Gwangju, South Korea
 
|description_of_content=A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.
'''Confronting Bodies:'''Animal Politico
|description_of_incident=The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.
 
|description_of_result=In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its  curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.
'''Dates of Action:''' February 2015
|image=park1.jpg
 
|source=http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587
'''Location:''' Museo Jumex in Mexico
}}
 
'''Description of Artwork:''' Aktions are Dionysian extravaganzas that has involved carcasses and blood, as well as pretend mutilation and crucifixion.
 
'''The Incident:''' No official explanation was given, but there was a widespread speculation that links the cancellation to an online petition asking for its cancellation that gathered over 5,000 signatures. According to Animal Politico, Jumex staff has denied that the petition was responsible for the cancellation. The Museo Jumex cited only that it was because of an “administrative situation”.
 
'''Results of Incident:''' The exhibition was cancelled.
 
'''Source:''' http://hyperallergic.com/181000/museo-jumex-abruptly-cancels-hermann-nitsch-exhibition/
 
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Latest revision as of 20:54, 18 October 2023

Please add the case description between the two tags. The content (description) shown below will be shown on Main Page.



Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587