Template:MainPageCaseDescription: Difference between revisions

From Censorpedia

No edit summary
No edit summary
 
(12 intermediate revisions by one other user not shown)
Line 1: Line 1:
Please add the case description between the two <nowiki><onlyinclude> </onlyinclude></nowiki> tags. The content (description) shown below will be shown on [[Main Page]].
Please add the case description between the two <onlyinclude> </onlyinclude> tags. The content (description) shown below will be shown on [[Main Page]].
----
----
<onlyinclude>
<onlyinclude>
====Date: [[:Category:2003|2003]]====
{{Display censorship incident
 
|ongoing=no
====Region: [[:Category:North America|North America]]====
|year=2014
 
|region=Asia
====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]]====
|artist=Hong Seong-dam
 
|subject=Political/Economic/Social Opinion
====Medium: [[:Category:Print Journalism|Print Journalism]]====
|confronting_bodies=City government of Gwangju, South Korea
----
|medium=Painting
[[File:Boondocks.jpg|right]]
|date_of_action=August, 2014
'''Artist:''' Aaron McGruder
|location=Gwangju Biennale, Gwangju, South Korea
 
|description_of_content=A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.
'''Confronting Bodies:''' The Washington Post
|description_of_incident=The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.
 
|description_of_result=In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.
'''Dates of Action:''' October 2003
|image=park1.jpg
 
|source=http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587
'''Location:''' Washington, USA
}}
 
'''Description of Artwork:'''''Boondocks'' is a comic strip that features several African American characters. The young protagonist, Huey Freeman, frequently asserts his political views. <P>
 
'''The Incident:''' The strip in question suggested Rice's single status may be contributing to the continuation of the War on Terrorism, "maybe if there was a man in the world who Condoleezza truly loved, she wouldn't be so hell-bent to destroy it." <P>
 
'''Results of Incident:''' The Washington Post pulled the series on Rice, which ran some five days.  The Post, from time to time, decides not to publish a particular comic if it is deemed unsuitable but it has never before killed an entire week's worth of one comic strip. Post Executive Editor Leonard Downie Jr. stated: "The ''Boondocks'' strips in question commented on the private life of the national security adviser and its relationship to her official duties in ways that violated our standards for taste, fairness and invasion of privacy." As for the lack of an explanation, he says: "We edit all parts of the paper every day, including the comics, and do not usually notify readers about what we are not publishing or why." <P>
 
While no other newspaper pulled the strip that day, the Post defended its decision by invoking a newspaper policy not to comment on the personal life of political figures; furthermore, they stated, "We had no way of knowing whether Mr. McGruder's assertion that Condoleezza Rice had no personal relationship was true or not."  <P>
 
'''Source:''' http://www.afterellen.com/archive/ellen/Print/boondocks.html and http://www.washingtonpost.com/ac2/wp-dyn?pagename=article&node=&contentId=A43907-2003Oct17
 
[[Category:2003]]
 
[[Category:2000s]]
 
[[Category:21st century]]
 
[[Category:North America]]
 
[[Category:Print Journalism]]
 
[[Category:Political/Economic/Social Opinion]]
 
[[Category:Aaron McGruder]]
 
__NOTOC__
__NOEDITSECTION__

Latest revision as of 20:54, 18 October 2023

Please add the case description between the two tags. The content (description) shown below will be shown on Main Page.



Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587