I Know Why The Rebel Sings (exhibition): Difference between revisions
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|date_of_action=June 2016 | |date_of_action=June 2016 | ||
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|description_of_content='I Know Why The Rebel Sings' presented highlights from a range of works by Iranian documentary photographer Newsha Tavakolian. It included photographs from her series, 'Look,' 'Listen,' and "The Blank Pages Of An Iranian Photo Album," as well as previously unexhibited images of humanitarian tragedies around the world with a focus on the portrait. The exhibition was part of Singapore International Festival of the Arts (SIFA)'s pre-festival, O.P.E.N. public engagement initiative ("Open, Participate, Engage, Negotiate"). SIFA is the premier national performing arts festival in the country. Tavakolian, best known for her iconic photographs of struggle and conflict, is a member of Magnum Photos and has shot for publications such as National Geographic. | |description_of_content='I Know Why The Rebel Sings' presented highlights from a range of works by Iranian documentary photographer Newsha Tavakolian, curated by Vali Mahlouji. It was first presented at Prince Claud Fund in Amsterdam. It included photographs from her series, 'Look,' 'Listen,' and "The Blank Pages Of An Iranian Photo Album," as well as "On the War Trail" with previously unexhibited images of humanitarian tragedies around the world with a focus on the portrait. The exhibition was part of Singapore International Festival of the Arts (SIFA)'s pre-festival, O.P.E.N. public engagement initiative ("Open, Participate, Engage, Negotiate"). SIFA is the premier national performing arts festival in the country. Tavakolian, best known for her iconic photographs of struggle and conflict, is a member of Magnum Photos and has shot for publications such as National Geographic. | ||
|description_of_incident=When the Media Development Authority (MDA) of Singapore initially refused to grant permits for 33 of the photos, the Festival Director Ong Keng Sen and the show's curator, Vali Mahlouji, | |description_of_incident=When the Media Development Authority (MDA) of Singapore initially refused to grant permits for 33 of the photos, the Festival Director Ong Keng Sen and the show's curator, Vali Mahlouji, did not agree on a smaller selection to be exhibited, but retained the integrity of the exhibition by deploying a strategy to cover the censored works beneath black cards. But before opening night, the MDA censored 15 of a larger group of photographs hung against a backdrop of a map of the conflict region, replacing each with a black paper rectangle. The photos belong to the series "On the War Trail," depicting photos of Kurdish female soldiers fighting ISIS that are part of the YPJ, an all-woman offshoot of the Kurdistan Workers' Party which the Turkish government (along with United States, Japan and Australia, and several other countries) considers a terrorist organisation. The photographs were commissioned by Time Magazine. Festival director Sen issued a statement condemning MDA's move, pointing out that the photographs were already published in Time Magazine and were widely accessible both online and off. "And so we are living with a new terror where we don't know, it is out of our control," he said at the exhibition's launch. [from "Ong Keng Sen on censorship at Newsha Tavakolian's I Know Why the Rebel Sings," June 22, 2016] | ||
|description_of_result=The show remained up for the duration with the blacked-out photographs. | |description_of_result=The show remained up for the duration with the blacked-out photographs. | ||
|image=Tavakolian.jpg | |image=Tavakolian.jpg | ||
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[https://www.sifa.sg/theopen/blog/i-know-why-the-rebel-sings-by-newsha-tavakolian I Know Why the Rebel Sings, by Newsha Tavakolian, by Ng Yi-Sheng, June 23, 2016] | [https://www.sifa.sg/theopen/blog/i-know-why-the-rebel-sings-by-newsha-tavakolian I Know Why the Rebel Sings, by Newsha Tavakolian, by Ng Yi-Sheng, June 23, 2016] | ||
[https://bakchormeeboy.com/2016/06/23/i-know-why-the-rebel-sings-sifa-the-o-p-e-n-2016/ I Know Why The Rebel Sings | [https://bakchormeeboy.com/2016/06/23/i-know-why-the-rebel-sings-sifa-the-o-p-e-n-2016/ I Know Why The Rebel Sings - SIFA: The O.P.E.N. 2016, June 23, 2016] | ||
[https://sifa.sg/sifa/blog/Ong-Keng-Sen-on-censorship-at-Newsha-Takavolians-I-Know-Why-the-Rebel-Sings/ Ong Keng Sen on censorship at Newsha Tavakolian's I Know Why the Rebel Sings, by Ng Yi-Sheng, June 22, 2016] | [https://sifa.sg/sifa/blog/Ong-Keng-Sen-on-censorship-at-Newsha-Takavolians-I-Know-Why-the-Rebel-Sings/ Ong Keng Sen on censorship at Newsha Tavakolian's I Know Why the Rebel Sings, by Ng Yi-Sheng, June 22, 2016] | ||
Latest revision as of 14:27, 20 August 2020
Artist: Newsha Tavakolian
Year: 2016
Date of Action: June 2016
Region: Middle East
Location: Singapore
Subject: Political/Economic/Social Opinion
Medium: Photography
Confronting Bodies: Media Development Authority (MDA) of Singapore
Description of Artwork: 'I Know Why The Rebel Sings' presented highlights from a range of works by Iranian documentary photographer Newsha Tavakolian, curated by Vali Mahlouji. It was first presented at Prince Claud Fund in Amsterdam. It included photographs from her series, 'Look,' 'Listen,' and "The Blank Pages Of An Iranian Photo Album," as well as "On the War Trail" with previously unexhibited images of humanitarian tragedies around the world with a focus on the portrait. The exhibition was part of Singapore International Festival of the Arts (SIFA)'s pre-festival, O.P.E.N. public engagement initiative ("Open, Participate, Engage, Negotiate"). SIFA is the premier national performing arts festival in the country. Tavakolian, best known for her iconic photographs of struggle and conflict, is a member of Magnum Photos and has shot for publications such as National Geographic.
The Incident: When the Media Development Authority (MDA) of Singapore initially refused to grant permits for 33 of the photos, the Festival Director Ong Keng Sen and the show's curator, Vali Mahlouji, did not agree on a smaller selection to be exhibited, but retained the integrity of the exhibition by deploying a strategy to cover the censored works beneath black cards. But before opening night, the MDA censored 15 of a larger group of photographs hung against a backdrop of a map of the conflict region, replacing each with a black paper rectangle. The photos belong to the series "On the War Trail," depicting photos of Kurdish female soldiers fighting ISIS that are part of the YPJ, an all-woman offshoot of the Kurdistan Workers' Party which the Turkish government (along with United States, Japan and Australia, and several other countries) considers a terrorist organisation. The photographs were commissioned by Time Magazine. Festival director Sen issued a statement condemning MDA's move, pointing out that the photographs were already published in Time Magazine and were widely accessible both online and off. "And so we are living with a new terror where we don't know, it is out of our control," he said at the exhibition's launch. [from "Ong Keng Sen on censorship at Newsha Tavakolian's I Know Why the Rebel Sings," June 22, 2016]
Results of Incident: The show remained up for the duration with the blacked-out photographs.
Source:
• http://www.straitstimes.com/lifestyle/arts/removed-images-photographer-deeply-disappointed
Statements from Newsha Tavakolian and Ong Keng Sen on censorship, by Ng Yi-Sheng, July 02, 2016
'i know why the rebel sings', June 24, 2016
I Know Why the Rebel Sings, by Newsha Tavakolian, by Ng Yi-Sheng, June 23, 2016
I Know Why The Rebel Sings - SIFA: The O.P.E.N. 2016, June 23, 2016
