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Please add the case description between the two <nowiki><onlyinclude> </onlyinclude></nowiki> tags. The content (description) shown below will be shown on [[Main Page]].
Please add the case description between the two <onlyinclude> </onlyinclude> tags. The content (description) shown below will be shown on [[Main Page]].
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====Date: [[:Category:2001|2001]]====
{{Display censorship incident
 
|ongoing=no
====Region: [[:Category:Europe|Europe]]====
|year=2014
 
|region=Asia
====Subject: [[:Category:Nudity|Nudity]] and [[:Category:Children|Children]]====
|artist=Hong Seong-dam
 
|subject=Political/Economic/Social Opinion
====Medium: [[:Photography|Photography]]====
|confronting_bodies=City government of Gwangju, South Korea
----
|medium=Painting
[[File:Violeta Gomez2.jpg|right|thumb]]
|date_of_action=August, 2014
'''Artist:''' Violeta Gomez
|location=Gwangju Biennale, Gwangju, South Korea
 
|description_of_content=A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.
'''Confronting Bodies:'''
|description_of_incident=The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.
*Town Hall authorities
|description_of_result=In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its  curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.
*A Spanish Army officer from the Guardia Civil corps
|image=park1.jpg
*Judge Concepcion Ferrer
|source=http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587
 
}}
'''Dates of Action:''' October, 2001
 
'''Location:''' Museo de Siyasa, Cieza, Spain
 
'''Description of Artwork:''' ''Alicia en el pais del amor'' (Alice in Loveland) is a collection of photographic portraits of children, inspired by the photographic work of Lewis Carroll.
 
'''The Incident:'''  In 2001, Violeta Gomez held an exhibition titled ''Alice in Loveland'' at the Museo de Siyasa, in Cieza (Spain). It consisted of a series of photographs of female children (aged 7 to 10), most of which had been previously exhibited at the near town of Molina de Segura a few months before. Some of the pictures featured nude or semi-nude children.
 
After 20 days, the exhibition was prematurely closed by the Town Hall authorities (owners of the museum) as a result of pressure by Judge Concepcion Ferrer following a report from a Spanish Army officer belonging to the Guardia Civil corps. Immediately after, the judge confiscated all the photographs and ordered a raid at Gomez's house, seizing all her prints and negatives, the exhibitions' leaflets, as well as her literary works, videotapes and some art books by well-known photographers such as Irina Ionescu or Yoji Ishikawa.  
 
Gomez was charged with corruption of minors.
 
'''Results of Incident:''' Gomez was not informed about the case development until March 2002, when only the videotapes (mostly movies recorded from the TV) were returned to her. In October 2003 a new judge closed the procedure for lack of any evidence to support the charges in a court. In February 2004 Gomez received notification that the case had ended and her works and belongings were returned some days after. However, some pictures of the exhibition had major damages and many articles were lost: among them, some negatives and prints and the exhibitions' leaflets.
 
Many artists and intellectuals wrote a manifest vindicating Gomez's work and the right to free artistic expression. Artists Joan Fontcuberta and Albert Boadella also supported Gomez.
 
'''Source:''' Violeta Gomez and http://www.artliberated.org/?id=17&p=cases
 
[[Category:2001]]
[[Category:2000s]]
[[Category:21st century]]
[[Category:Europe]]
[[Category:Spain]]
[[Category:Cieza]]
[[Category:Museo de Siyasa]]
[[Category:Nudity]]
[[Category:Children]]
[[Category:Photography]]
 
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Latest revision as of 20:54, 18 October 2023

Please add the case description between the two tags. The content (description) shown below will be shown on Main Page.



Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587