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{{Display censorship incident
{{Display censorship incident
|ongoing=no
|ongoing=no
|year=2018
|year=2014
|region=Europe
|region=Asia
|artist=Unknown
|artist=Hong Seong-dam
|subject=Nudity
|subject=Political/Economic/Social Opinion
|confronting_bodies=Facebook
|confronting_bodies=City government of Gwangju, South Korea
|medium=Electronic Media, Sculpture
|medium=Painting
|date_of_action=March 2018
|date_of_action=August, 2014
|location=Online
|location=Gwangju Biennale, Gwangju, South Korea
|description_of_content=The Venus of Willendorf is a 30,000 year old masterpiece of the Paleolithic Period. Its voluptuous form, carved in stone, portrays a naked woman. It is an iconic statuette and the most well-known prehistoric depiction of a woman in the world.
|description_of_content=A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.
 
|description_of_incident=The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.
Art critic Camille Paglia writes: "Venus of Willendorf carries her cave with her. She is blind, masked. Her ropes of corn-row hair look forward to the invention agriculture. She has a furrowed brow. Her facelessness is the impersonality of primitive sex and religion. There is no psychology or identity yet, because there is no society, no cohesion. Men cower and scatter at the blast of the elements. Venus of Willendorf is eyeless because nature can be seen but not known. She is remote even as she kills and creates. The statuette, so overflowing and protuberant, is ritually invisible. She stifles the eye. She is the cloud of archaic night."
|description_of_result=In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its  curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.
|description_of_incident=In December 2017, Laura Ghianda, an Italian arts activist, posted a picture of the artwork on Facebook. It went viral before Facebook censored the post and took the image down. Ghianda found this action unacceptable, writing that the "war on human culture and modern intellectualism will not be tolerated."
|image=park1.jpg
 
|source=http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587
The Natural History Museum (NHM) in Vienna, which displays the figurine in its museum as a part of its collection, expressed outrage over the incident. "An archaeological object, especially such an iconic one, should not be banned from Facebook because of 'nudity,' as no artwork should be," the Vienna museum stated in a press release.
 
In response to the fiasco, Vienna’s tourism board created an OnlyFans account in protest against traditional social media platforms, whose censorship of its art museums and galleries included removing posts of the Venus of Willendorf alongside other works like ''Liebespaar'' by Koloman Moser.  
 
The “Vienna strips on OnlyFans” advertising campaign was not only meant to encourage tourists to visit, but also to raise awareness of the censorious standards which contemporary artists are subject to on traditional social media platforms.
|description_of_result=Facebook's apology came in reaction to the Viennese museum's statement, the Viennese tourism board's OnlyFans campaign, and the ensuing public outrage. The company's spokesperson explained that Facebook's policies do not allow depictions of nudity or even suggested nudity. "However, we make an exception for statues, which is why the post should have been approved," they admitted.
|image=1200px-Venus_of_Willendorf_-_All_sides.png
|source=https://www.dw.com/en/facebook-apologizes-for-censoring-prehistoric-figurine-venus-of-willendorf/a-42780200, https://hyperallergic.com/429553/facebook-censors-venus-of-willendorf/, https://www.designboom.com/art/facebook-censors-venus-of-willendorf-03-01-2018/, https://www.theartnewspaper.com/2018/02/27/facebook-censors-30000-year-old-venus-of-willendorf-as-pornographic, https://www.goodreads.com/quotes/757840-venus-of-willendorf-carries-her-cave-with-her-she-is, https://www.architecturaldigest.com/story/vienna-museums-turn-to-onlyfans-to-avoid-censorship, https://www.theguardian.com/artanddesign/2021/oct/16/vienna-museums-open-adult-only-onlyfans-account-to-display-nudes, https://www.washingtonpost.com/nation/2021/10/20/vienna-museums-artwork-social-media-onlyfans/, https://www.artnews.com/art-news/news/onlyfans-vienna-museums-1234607398/
}}
}}
</onlyinclude>

Latest revision as of 20:54, 18 October 2023

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Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587