Madonna American Life Music Video: Difference between revisions

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====Region: [[:Category:United States | United States]]====
====Region: [[:Category:United States | United States]]====


====Subject: [[:Category:Political | Political]]====
====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]]====


====Medium: [[:Category:Film | Film]]====
====Medium: [[:Category:Film Video|Film Video]]====
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'''Artist:''' Madonna
'''Artist:''' Madonna
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'''Description of Artwork:''' Madonna was planning her music video for the first single off of her new album American Life, in which she would depict a war themed fashion show.
'''Description of Artwork:''' Madonna was planning her music video for the first single off of her new album American Life, in which she would depict a war themed fashion show.


'''The Incident:''' Before the release of the video, the Drudge blog attacked rumors of patently offensive scenes including one in which Madonna walked down the runway in a an army uniform, lit a grenade and threw it at Saddam Husein who in turn caught it as it turned into a lighter and then lit a cigar for George Bush who was sitting next to him.  Drudge said that the video was "the most shocking anti-war, anti-Bush sentiment yet to come from the show business industry."
'''The Incident:''' Before the release of the video, the Drudge blog attacked rumors of patently offensive scenes including one in which Madonna walked down the runway in a an army uniform, lit a grenade and threw it at Saddam Hussein who in turn caught it as it turned into a lighter and then lit a cigar for George Bush who was sitting next to him.  Drudge said that the video was "the most shocking anti-war, anti-Bush sentiment yet to come from the show business industry."


'''Results of Incident:''' Whether or not the rumors were true, the original video was released for a short period of time in Europe without any of the rumored scenes and then a much more conservative version was released in America.  Ultimately, Drudges comments created a controversy big enough to force Madonna to censor her own work.
'''Results of Incident:''' Whether or not the rumors were true, the original video was released for a short period of time in Europe without any of the rumored scenes and then a much more conservative version was released in America.  Ultimately, Drudges comments created a controversy big enough to force Madonna to censor her own work.
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[[Category:2003]]
[[Category:2003]]
[[Category:2000s]]
[[Category:2000s]]
[[Category:21st Century]]
[[Category:21st century]]
[[Category:United States]]
[[Category:United States]]
[[Category:Film]]
[[Category:Film Video]]
[[Category:Madonna]]
[[Category:Madonna]]
[[Category:Free Speech]]
[[Category:Free Speech]]

Latest revision as of 20:23, 30 August 2022

Date: 2003

Region: United States

Subject: Political/Economic/Social Opinion

Medium: Film Video


Artist: Madonna

Confronting Bodies: Conservative Blog www.thedrudgereport.com

Dates of Action: 2003

Location: The United States

Description of Artwork: Madonna was planning her music video for the first single off of her new album American Life, in which she would depict a war themed fashion show.

The Incident: Before the release of the video, the Drudge blog attacked rumors of patently offensive scenes including one in which Madonna walked down the runway in a an army uniform, lit a grenade and threw it at Saddam Hussein who in turn caught it as it turned into a lighter and then lit a cigar for George Bush who was sitting next to him. Drudge said that the video was "the most shocking anti-war, anti-Bush sentiment yet to come from the show business industry."

Results of Incident: Whether or not the rumors were true, the original video was released for a short period of time in Europe without any of the rumored scenes and then a much more conservative version was released in America. Ultimately, Drudges comments created a controversy big enough to force Madonna to censor her own work.

Source: From Blatant to Latent Protest (and Back Again): on the Politics of Theatrical Spectacle in Madonna's 'American Life' by Martin Scherzinger and Stephen Smith