The Captive (play): Difference between revisions
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====Date: [[:Category: | ====Date: [[:Category:1927|1927]]==== | ||
====Region: [[:Category:North America|North America | ====Region: [[:Category:North America|North America]]==== | ||
====Subject: [[:Category:Sexual/Gender Orientation|Sexual/Gender Orientation | ====Subject: [[:Category:Sexual/Gender Orientation|Sexual/Gender Orientation]]==== | ||
====Medium: [[:Category: | ====Medium: [[:Category:Theater|Theater]]==== | ||
---- | ---- | ||
'''Artist:''' | '''Artist:''' Arther Hornblow, Jr. | ||
'''Confronting Bodies:''' New York Police | '''Confronting Bodies:''' New York Police | ||
| Line 15: | Line 15: | ||
'''Location:''' New York City | '''Location:''' New York City | ||
'''Description of Artwork:''' | '''Description of Artwork:''' Play is an adaptation of "La Prisonnière" by Edouard Bourdet that deals with homosexuality and lesbianism. | ||
'''The Incident:''' | '''The Incident:''' Early in 1927 the New York Police stopped the play along with two others at other theaters (''[[The Virgin Man]]'', and ''[[Sex]]''). It had been running without interruption for five months and was a sensitive study of sexual deviation in women. ''The Captive'' would probably have continued to run unmolested if its success had not precipitated a succession of plays about abnormality. ''The Hymn to Venus,'' and ''The Drag,'' dealing with lesbianism and homosexuality, were about to open in New York. The authorities felt they had to stem the tide. It is said that one of the people responsible for closing ''The Captive'' was Walter Lippmann, who had for years, ostensibly at least, espoused the cause for free speech. | ||
'''Results of Incident:''' " | '''Results of Incident:''' "''The Captive'' was voluntarily withdrawn after the issue of the warrants." | ||
'''Source:''' The Censor Marches On, Pg.64 | '''Source:''' The Censor Marches On, Pg.64 | ||
[[Category: | [[Category:1927]] | ||
[[Category:]] | [[Category:1920s]] | ||
[[Category:]] | [[Category:20th century]] | ||
[[Category:North America]] | [[Category:North America]] | ||
[[Category:]] | [[Category:United States]] | ||
[[Category:]] | [[Category:New York]] | ||
[[Category:New York City]] | |||
[[Category:Sexual/Gender Orientation]] | [[Category:Sexual/Gender Orientation]] | ||
[[Category:]] | [[Category:Theater]] | ||
[[Category: | [[Category:Arthur Hornblow Jr.]] | ||
__NOTOC__ | __NOTOC__ | ||
{{DISPLAYTITLE:<span style="font-style: italic;">The Captive</span> (play)}} | |||
{{DEFAULTSORT:Captive (play), The}} | |||
Latest revision as of 20:21, 3 August 2011
Date: 1927
Region: North America
Subject: Sexual/Gender Orientation
Medium: Theater
Artist: Arther Hornblow, Jr.
Confronting Bodies: New York Police
Dates of Action: 1927
Location: New York City
Description of Artwork: Play is an adaptation of "La Prisonnière" by Edouard Bourdet that deals with homosexuality and lesbianism.
The Incident: Early in 1927 the New York Police stopped the play along with two others at other theaters (The Virgin Man, and Sex). It had been running without interruption for five months and was a sensitive study of sexual deviation in women. The Captive would probably have continued to run unmolested if its success had not precipitated a succession of plays about abnormality. The Hymn to Venus, and The Drag, dealing with lesbianism and homosexuality, were about to open in New York. The authorities felt they had to stem the tide. It is said that one of the people responsible for closing The Captive was Walter Lippmann, who had for years, ostensibly at least, espoused the cause for free speech.
Results of Incident: "The Captive was voluntarily withdrawn after the issue of the warrants."
Source: The Censor Marches On, Pg.64
