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|medium=Film Video | |medium=Film Video | ||
|location=San Antonio, Texas | |location=San Antonio, Texas | ||
|description_of_content=Created in 2014 from a live 2004 performance, Ibarra’s work addresses | |description_of_content=Created in 2014 from a live 2004 performance, Ibarra’s work addresses racial and gender stereotypes through the artist’s performance as a minstrel Mexican housewife who takes on her “racial bondage to hot sauce, tacos, and demographic panic” in a humorous retro border corrida. | ||
|description_of_incident=Suzy González and Michael Menchaca, under their collective name “Dos Mestizx,” curated the exhibition “XicanX: New Visions” celebrating Chicano art at Centro de Artes, a downtown gallery owned by and funded by the City of San Antonio Department of Arts & Culture. On the day of the opening, Ibarra’s video work “Spictacle II: La Tortillera” was removed upon orders from the city, despite the curators complying with city requests to curtain off the work with advisory signage. San Antonio’s Department of Arts & Culture removed the artwork by Xandra Ibarra from this exhibition because of apparent discomfort with its unconventional representations of sexuality and the challenge it presents to gender stereotypes. | |description_of_incident=Suzy González and Michael Menchaca, under their collective name “Dos Mestizx,” curated the exhibition “XicanX: New Visions” celebrating Chicano art at Centro de Artes, a downtown gallery owned by and funded by the City of San Antonio Department of Arts & Culture. On the day of the opening, Ibarra’s video work “Spictacle II: La Tortillera” was removed upon orders from the city, despite the curators complying with city requests to curtain off the work with advisory signage. San Antonio’s Department of Arts & Culture removed the artwork by Xandra Ibarra from this exhibition because of apparent discomfort with its unconventional representations of sexuality and the challenge it presents to gender stereotypes. | ||
Revision as of 15:18, 2 March 2021
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