Clemente Padin performances: Difference between revisions
No edit summary |
No edit summary |
||
| Line 5: | Line 5: | ||
====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]]==== | ====Subject: [[:Category:Political/Economic/Social Opinion|Political/Economic/Social Opinion]]==== | ||
====Medium: [[:Category:Performance Art|Performance Art]] [[:Category: | ====Medium: [[:Category:Performance Art|Performance Art]], [[:Category:Theatre|Theatre]]==== | ||
---- | ---- | ||
'''Artist:''' Clemente Padin (b. 1939) | '''Artist:''' Clemente Padin (b. 1939) | ||
| Line 30: | Line 30: | ||
[[Category:Political/Economic/Social Opinion]] | [[Category:Political/Economic/Social Opinion]] | ||
[[Category:Performance Art]] | [[Category:Performance Art]] | ||
[[Category: | [[:Category:Theatre|Theatre]] | ||
[[Category:Clemente Padin]] | [[Category:Clemente Padin]] | ||
{{DEFAULTSORT:Padin, Clemente performances}} | {{DEFAULTSORT:Padin, Clemente performances}} | ||
__NOTOC__ | __NOTOC__ | ||
Latest revision as of 19:45, 4 November 2016
Date: 1975 - 1984
Region: South America
Subject: Political/Economic/Social Opinion
Medium: Performance Art, Theatre
Artist: Clemente Padin (b. 1939)
Confronting Bodies: Supremo Tribunal Militar - Montevideo, Uruguay
Dates of Action: 1975-1984
Location: Montevideo, Uruguay
Description of Artwork: Padin's body of work consists of anti-Fascist, political performances, often performed in city streets. The purpose of his performance For Life and For Peace (1987), for example, was to denounce "compulsory disappearance" of citizens as a method of resolving social antagonism. During the performance, the abduction, torture and "disappearance" of a political prisoner was simulated. Each of the 170 blows taken to the prisoner stood for a missing person. The work ended with the presentation of a cardboard sign reading: "No More Fascism!"
The Incident: In 1973, after forty years of constitutional rule, governmental control in Uruguay was handed over to the military. Resulting from the fear inflicted by the terrorist group Tupamaros, a rigid censorship was imposed and all political activities banned. Civil rights and fair trials "disappeared" along with thousands of political prisoners. In August 1975, Padin was imprisoned in Montevideo, for the crime of "vilification and mocking of the armed forces". His article El lenguaje de la accion (The Language of Action) published in the Brazilian periodical Abertura Cultural in 1975, was used as evidence against him.
Results of Incident: Released from prison October 1977, he was forbidden to leave Montevideo, compelled to check-in weekly with government officials, and forbidden correspondence until February 1984. His two year prison sentence was thereby extended into a "ten year silence".
Source: Clemente Padin Theatre
