Le Rendez-vous des quais: Difference between revisions
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[[File:Rondezvous.jpg|right]] | [[File:Rondezvous.jpg|right]] | ||
'''Artist:''' Paul Carpita | '''Artist:''' Paul Carpita (1922 - 2009) | ||
'''Confronting Bodies:''' Official censors | '''Confronting Bodies:''' Official censors | ||
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'''The Incident:''' The film is released in several film theatres of Marseille. After several screenings, the police arrive, take hold of the prints and put them under sequestration. | '''The Incident:''' The film is released in several film theatres of Marseille. After several screenings, the police arrive, take hold of the prints and put them under sequestration. | ||
'''Results of Incident:''' In 1988: by miracle the impounded prints are found. Le Rendez-vous des quais is screened at the French Cinematheque in the program Ecrans de la liberte. | '''Results of Incident:''' In 1988: by miracle the impounded prints are found. ''Le Rendez-vous des quais'' is screened at the French Cinematheque in the program Ecrans de la liberte. | ||
'''Source:''' Les Cahiers du Cinema, No 428, Deb. 1990 | '''Source:''' Les Cahiers du Cinema, No 428, Deb. 1990 | ||
Latest revision as of 15:46, 18 February 2012
Date: 1955
Region: Europe
Subject: Political/Economic/Social Opinion
Medium: Film Video
Artist: Paul Carpita (1922 - 2009)
Confronting Bodies: Official censors
Dates of Action: October 1955
Location: France, Marseille
Description of Artwork: The subject is explosive: in 1950, with the background of a docker's strike, protesting against the Indochinese War, the film exposes the difficulties of a young worker who is looking for an apartment to rent. The hero will not hesitate to betray his class, to become a "yellow," until a revolutionary illumination opens his eyes.
The Incident: The film is released in several film theatres of Marseille. After several screenings, the police arrive, take hold of the prints and put them under sequestration.
Results of Incident: In 1988: by miracle the impounded prints are found. Le Rendez-vous des quais is screened at the French Cinematheque in the program Ecrans de la liberte.
Source: Les Cahiers du Cinema, No 428, Deb. 1990
