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Shariff, S. Censorship!...or Selection? The Netherlands: Sense Publishers, 2007.
Shiell, Timothy C. Campus hate speech on trial. Lawrence : University Press of Kansas, 1998. Shils, Edward, "Remembering the Congress for Cultural Freedom","Encounter", Vol. 75, no. 2, pp. 53, September 1990.
Shinder, Jason (ed.), "The Poem That Changed America: “Howl” Fifty Years Later," New York: Farrar, Straus and Giroux, 2006.
Sova, Dawn B. Banned Plays: Censorship Histories of 125 Stage Dramas. New York: Facts on File, 2004.
Snow, Nancy. Information War: American propaganda, free speech and opinion control since 9/11. New York: Seven Stories; London: Turnaround, 2003.
Soley, Lawrence, "Censorship Inc. The Corporate Threat to Free Speech in theUnited States", Monthly Review Press, New York, 2002.
Solly, Sue and Cutler, Terry, "To Deprave and Corrupt: Censorship inAustralia", pp. 64, Lloyd O'Neil Pty Limited, Windsor, Victoria, 1975.
Sontag, Susan and Sale, Faith, "Letters...", "New Statesman andSociety", Vol. 2, Iss: 38, pp. 9, Statement and Nation Pub. Co. Ltd., London, March24, 1989.
Springer, C., "The Aesthetics of Censorship-M. Haraszti", "The NewHungarian Quarterly", Vol 32, Iss 124, pp 150-152, Hungarian Quaterly, Budapest,1991.
Suma, Sarah F. Uncertainty & Loss in the Free Speech Rights of Public Employees Under Garcetti v. Ceballos. 83 Chi.-Kent. L. Rev. 369 (2008).
Sunstein, Cass. "Pornography and the First Amendment." 1968 Duke Law Journal 589.
Tariq, Ali, "Banned by the British...", "New Statesman andSociety", Vol 4 pp 16-18, Statesman and Nation Pub. Co. Ltd., London, 1991.
Taylor, Charles, "Titicut Follies", "Sight and Sound", Vol. 57,pp.98-103, Spring 1988.
Theiner, George (ed.), "They Shoot Writers, Don't They?", pp. 199, Faber andFaber, Boston, 1973.
Thompson, Sarah E., "Undercurrents in the Floating World", Catalogue for AsiaSociety Galleries, pp. 104, Asia Society Galleries, New York, 1991.
Toubiana, Serge, "Censure, Danger Immediat..", "Cahiers du Cinema",Vol. 413, pp. 21-23, November 1988.
Tribe, David H., "Questions of Censorship", pp. 368, Allen and Unwin, London,1973.
Trossen, Nadine. Defending Pornography: free speech, sex, and the fight for women's rights. New York ; London : New York University Press, 2000.
Tymicki, Jerzy, "New Dignity; the Polish Theater 1970-1985", "The DramaReview", Vol. 30, pp. 13, Fall 1986.
United Press International, "U.S. Dancers Keep It Modest for Chinese","Chicago Tribune", October 31, 1985.
Vasudev, A., "Women Beware of Men", "Index on Censorship", Vol. 20,Iss. 3, pp7-8, Writers and Scholars International, London, 1991.
Vianu, Lidia, "Censorship in Romania," Central European University Press,Budapest - New York, 1998.
Vogel, Ryan J. Free Speech in the War on Terror: Does the Military Commissions Act Violate the First Amendment. 15 Hum. Rts. Br. 18 (2008).
Wajnryb, Ruth, "Expletive Deleted," New York: Free Press, 2005.
Waldman, Emily Gold. Returning to Hazlewood’s Core: A New Approach to Restrictions on School-sponsored Speech. 60 Fla. L. Rev. 63 (2008).
Walker, Alice; Holt, Patricia, "Banned", Aunt Lute Books, San Francisco,1996.
Waller, Susan. "Censors and Photographers in the Third Republic of France" in History of Photography. Autumn 2003, Vol. 27 Issue 3, p222, 14p.
Watney, Simon, "Rolling Back Wolfenden", "New Statesman andSociety", Vol. 4, pp 28-29, Statesman and Nation Pub. Co. Ltd., London, April 5,1991.Weinstein, James. Hate speech, pornography, and the radical attack on free speech doctrine. Boulder, Colo.: Westview Press, 1999.
Wheeler, Leigh Ann. Against obscenity : reform and the politics of womanhood in America, 1873-1935. Baltimore, Md.: Johns Hopkins University Press, 2004.
Whillock, Rita and David Slayden, ed. Hate Speech. Thousand Oaks, Calif. : Sage Publications, 1995.
Wicker, Tom, "Shooting Star: the Brief Arc of Joe McCarthy," Orlando, FL: Harcourt, 2006.
Williams, Susan Hoffman. Truth, autonomy, and speech : feminist theory and the First Amendment. New York: New York University Press, 2004.
Williams, JA, "A Quick Hit at Racial Censorship", American Book Review, Vol.5, Iss 1, pp 7-7, Dept. of English, University of Colorado, Boulder, CO, 1982.
Wirenius, John F. First Amendment, first principles: verbal acts and freedom of speech. New York; London: Holmes & Meier, 2004.
Wolfson, Nicholas. Hate speech, sex speech, free speech. Westport, Conn. ; London : Praeger, 1998.
Zeinert, Karen, "Free Speech: From Newspapers to Music Lyrics (Issues inFocus)", Enslow Publishers, New Jersey, 1995.
Zeiser, William (ed.), "Censorship: 500 Years of Conflict", Oxford UniversityPress, New York, 1984.
Zingo, Martha T. Sex/gender outsiders, hate speech, and freedom of expression : can they say that about me? Westport, Conn.; London: Praeger, 1998.
BOOKS
Abellan, Manuel L., "Censura y Creacion Literatura en Espana", "Temas deHistoria y Politica Contemporanea", Vol. 9, pp. 313, Ediciones Peninsula, Barcelona,1980.
Adams, Helen R. Ensuring Intellectual Freedom and Access to Information in the School Library, Media Program. Westport, CT: Libraries Unlimited, 2008.
Ashbee, Henry S. , "Forbidden Books of the Victorians", Index Liborum Prohibitorum, pp. 239, Odyssey Press, London, 1970.
Atkins, John, "Sex in Literature", 4 Vol. , Calder and Boyars, London, 1982.
Barrier, N.G., "Banned: Controversial Lit. & Political Control in British India", Colombia University of Missouri Press, 1974.
Basbanes, Nicholas. A Splendor of Letters: the permanence of books in an impermanent world. New York: Harpercollins, 2003.
Bhattacarya, Hiranmaya, "Raj and Literature: Banned Bengali Books", pp. 229,Firma KLM, Calcutta, India, 1989.
Blanshard, Paul, "The Right to Read", pp. 339, Beacon Press, Boston, 1955.
Blume, Judy (ed.), "Places I Never Meant to Be: Original Stories by Censored Writers," New York: Simon and Schuster, 1999.
Bosmajian, Haig, "Burning Books," McFarland & Company, Inc., Jefferson, North Carolina, 2006
Boyer, Paul. Purity in Print: Book Censorship in America from the Gilded Age to the Computer Age. Madison: University of Wisconsin, 2002.
Board of Censors Rhodesia & Board of Censors Zimbabwe, "Catalogue of BannedBooks, Periodicals, Records", Board of Censors Rhodesia & Board of CensorsZimbabwe, Rhodesia and Zimbabwe, December 1967 - December 1975.
Bump, Myrna Marlene, "Censorship Practiced by High School Librarians...", pp.195, University Microfilms International, Ann Arbor, MI, 1980.
Burton, Betsy, "The King’s English: Adventures of an Independent Bookseller," Salt Lake City: Gibbs Smith, Publisher, 2005.
Byrne, Alex. "The End of History: censorship and libraries" in Australian Library Journal. May 2004, Vol. 53 Issue 2, p133, 19p.
Califia, Pat; Fuller, Janine (eds.), "Forbidden Passages: Writings Banned inCanada", Cleis Press, San Francisco, 1995.
Carefoot, Pearce J. Forbidden Fruit: Banned, Censored & Challenged Books from Dante to Harry Potter. Toronto: Lester, Mason & Bigg, 2007.
Cohen, Karl F., "Forbidden Animation: Censored Cartoons and Blacklisted Animatorsin America", McFarland & Company, Jefferson, 1998.
Delfattore, Joan, "What Johnny Shouldn't Read: Textbook Censorship inAmerica", Yale University Press, New Heaven, 1994.
Ditchfield, Peter Harpson, "Books Fatal to Their Authors", pp. 244, B.Franklin, New York, 1970.
Dollimore, Jonathan, "Sex, Literature and Censorship", Polity Press,Cambridge, 2001.
Dubin, Steven, "Poisoned Pens and Rattled Sabers: Two Years of Defending a Book about Controversial Art," New Art Examiner, February, 1995: 26-29.
Esterow, Milton, "U.S.A. vs. One Book Called Ulysses", "Art News",Vol. 89, pp. 190, Art Foundation, Inc., New York, September 1990.
Farrer, J.A., "Books Condemned to Be Burnt", Elliot Stock, London, 1892.
Foerstel, Herbert. Banned in the U.S.A.: A Reference Guide to Book Censorship in School and Public Libraries. Westport: Greenwood Publishing, 2002.
Foxon, David, "Libertine Literature in England, 1660-1745", University Books,New Hyde Park, NY, 1965.
Goldstone, Lawrence & Nancy, "Out of the Flames: The Remarkable Story of a Fearless Scholar, a Fatal History, and One of the Rarest Books in the World," New York: Broadway Books, 2002.
Goodman, Michael B., "Contemporay Literary Censorship: The Case of BurroughsNaked Lunch'"pp. 330, Scarecrow, Metuchen, N.J., 1981.
Geller, Evelyn, "Forbidden Books in American Public Libraries (1876-1939)",pp. 234, Greenwood Press, Westport, CT, 1984.
Gillett, Charles R., "Burned Books", Greenwood Press, Westport, CT, 1932 and1972.
Haight, Anne Lyon, "Banned Books, 387 B.C.-1978 A.D.", 4th edition, R.R.Bowker, New York, 1978.
Jackson, Holbrook, "The Fear of Books", University of Illinois Press, 2001.
Jacobsens (ed.), "Index on Objectionable Literature", Vol. 7, Jacobsens,Pretoria, South Africa, 1967.
Karolides, Nicholas J. and Burress, Lee (eds.), "Celebrating Censored Books," pp. 120, Wisconsin Council of teachers of English, Racine, WI, 1985.
Karolides, Nicholas J.; Bald, Margaret; Sova, Dawn B; Wachsberger, Ken, "100 Banned Books: Censorship Histories of World Literature"
Knuth, Rebecca, "Burning Books and Leveling Libraries : Extremist Violence and Cultural Destruction," Praeger Publishers, 2006.
Lankford, Ronnie D. Book Banning (At Issue Series). Farmington Hills, MI: Greenhaven Press, 2007.
Llorens Castillo, Vicente, "Aspectos sociales de la literatura espanola (por) V.Llorens", "Literatura y Sociedad", Vol. 6, pp. 244, Castalia, Madrid, 1974.
London Writers and Scholars International, ed., "Index on Censorship", LondonWriters and Scholars International, London, 1972.
Loth, David Goldsmith, "The Erotic in Literature", pp. 256, J. Messner, NewYork, 1961.
McClellan, Marilyn. Madeleine L’Engle: Banned, Censored & Challenged (Authors of Censored Books). Berkeley Heights, NJ: Enslow Publishers, 2008.
McKeon, Richard, Merton, Robert K. and Gellhorn, Walter, "The Freedom to Read:Perspective & Program", pp. 110, R.R. Bowker for the National Book Committee, NewYork, 1957.
Mullin, Katherine. James Joyce, "Sexuality and Social Purity," Cambridge; New York: Cambridge University Press, 2003.
Paretsky, Sarah, "Writing in an Age of Silence," New York: Verso, 2007.
Saxby, H.M., "Bias in Literature," (sound recording 90 minutes), Andrew Bach,Newport, 1983.
Toronto Arts Group for Human Rights, "The Writers and Human Rights," pp. 294 ,Anchor Press, Garden City, NY, 1983.
FILM/TELEVISION/RADIO/MEDIA
Athanasourelis, John Paul. "Film Adaptation and the Censors: 1940s Hollywood and Raymond Chandler" in Studies in the Novel. Fall 2003, Vol. 35 Issue 3, p325, 14p.
Barbaro, Fabrice, "Le Chainon Manquant", "Cahiers du Cinema", Vol.428, pp. 46, February 1990.
Barker, Martin, (ed.), "The Video Nasties: Freedom and Censorship in theMedia", pp. 131, Pluto Press,London, 1984.
Benjamin, Louise Margaret. Freedom of the air and the public interest : First Amendment rights in broadcasting to 1935. Carbondale: Southern Illinois University Press, 2001.
Barton, Frank, "The Press of Africa: Persecution and Perseverance", pp. 304,Macmillan, London, 1979.
Bezanson, Randall P. How free can the press be? Urbana : University of Illinois Press, 2003.
Beale, Lewis, "Homosexuals in Film: ..'Basic Instinct'..", Philadelphia Enquirer, March 15, 1992.Cohen, Henry. Freedom of speech and press : exceptions to the First Amendment. New York: Novinka Books, 2003.
Benvenisti, Meron, "Israeli Censorship Arab Publications: a survey", Fund forFree Expression, pp. 167, Fund for Free Expression, New York, 1983.
Bertrand, Ina, "Film Censorship in Australia", pp. 12, University ofQueensland Press, St. Lucia, 1981.
Cohen-Almagor, Raphael. Speech, media and ethics : critical studies on freedom of expression, freedom of the press and the public's right to know. New York: Palgrave, 2001.
Black, Gregory D., "Hollywood Censored: Morality Codes, Catholics, and theMovies", Cambridge University Press, Cambridge, 1994.
Buchsbaum, Jonathon, "Towards Victory: Left Film in France, 1930-35","Cinema Journal", Vol. 25, pp. 22-52, Spring 1986.
Corn-Revere, Robert. "Indecency, Television and the First Amendment" in Consumers' Research Magazine, Feb. 2004, Vol. 87 Issue 2, p21, 5p.
Carver, Richard, "Truth from Below: The Emergent Press in Africa", pp. 91,Article 19, London, 1991.
Clement, James, The Right to Reply...", "British Journal onPhotography", Vol. 135, pp. 16, June 30, 1988.
Clement, James, "Keeping the Press in order", "British Journal of Photography", Vol. 135, pp. 11, January 28, 1988.
Collins, Irene, "The Government & the Newspaper Press in France,1814-1881", pp. 176, Oxford University Press, Oxford, 1959.
Committee on Governmental Affairs, United States Congress, "Pentagon Rules on Media Access to Persian Gulf War 102 Congress, 1st Session, February 20, 1991", pp.1545, U.S. G.P.O., Supt. of Documents, Washington, D.C., February 1991.
Correa, E, "Video Art in Chile-from Censored Language...", "CuadernosHispanoamericanos", Iss. 482 pp.277-281, Institute de Cultura Hispanica, Madrid,1990.
Couvares, Francis G., (ed.), "Movie Censorship and American Culture",Smithsonian Institution Press, Washington and London, 1996.
Culbert, D., "U.S. Censorship of Radio News...", "Historical Journal ofFilm, Radio and T.V.", Vol. 2, Iss. 2, pp 173-176, Carfax Publishing Company inAssociation, Oxford, 1982.
Curry, Ramona, "Mae West as Censored Commodity... ", "CinemaJournal", Vol. 31, pp. 57-84, Fall 1991.
Dalpar, Helen, "Goodbye to the Greaser: Mexico, the MPPDA..", "Journalof Popular Film and Television", Vol. 12, pp. 34-41, Spring 1984.
Danielou, Laurent, "Nouvelles de la glasnot (l'etat de la censura..)","Cahiers du Cinema", Vol. 426, pp.13, December 1989.
Darnton, Roche and Robert, Daniel (eds.), "Revolution in Print: The Press inFrance, 1775-1800", pp. 351, University of California Press, Berkley, 1989.
De Grazia, Newman and Edward, Robert K., "Banned Films: Movies, Censors and thefirst Amendment", pp. 455, R.R. Bowker, New York, 1982.
De Onis, Julian, "Brazil Bans Godard's Hail Mary", Los Angeles Times,February 6, 1986.
Dodson, Howard, "Exhibition on Censorship and Black America", pp.20,Schomberg Center for Research in Black Culture, New York, 1984.
Doherty, Thomas. Hollywood’s Censor: Joseph I. Breen & the Production Code Administration. New York: Columbia University Press, 2007.
Everitt, David, "A Shadow of Red: Communism and the Blacklist in Radio and Television," Chicago: Ivan R. Dee, Publisher, 2007.
Everson, William K., "Britain in the 1930's", "Film Review", Vol.39, pp. 218-221; 288-292, National Board of Review of Motion Pict., inc., New York,April/May 1988.
Frank, Reuven, "And Who Shall Censor the Censors?", pp. 15, NationalBroadcasting System, 1971?.
Fuller, Graham, "28 Up: Sexual Apartheid in Britain", "FilmComment", Vol. 24, pp. 68, Film Society of Lincoln Center, New York, JulyAugust 1988.
Grendler, Paul F., "The Roman Inquisition and the Venetian Press, 1540-1605",pp. 374, Princeton University Press, Princeton, N.J., 1977.
Grieveson, Lee. Policing cinema: movies and censorship in early-twentieth-century America. Berkeley: University of California Press, 2004.
Griffith, Gareth. X rated Films and the regulation of sexually explicit material. Sydney: New South Wales Parliamentary Library Research Service, 2003.
Haberski Jr., Raymond, J. Freedom to Offend: How New York Remade Movie Culture. Lexington, KY: University Press of Kentucky, 2007.
Hawthorne, Christopher and Andras Szanto. The New Gatekeepers: emerging challenges to free expression in the arts. New York: National Journalism Arts Program: 2003.
Hale, Oron J., "The Captive Press in the Third Reich, Princeton University Press,Princeton, N.J., 1964.Hilliard, Robert L. Dirty discourse: sex and indecency in American radio. Ames, Iowa: Iowa State Press, 2003.
Harlovich, Mary Beth, "The Proletarian Women's Film of the 1930s","Screen", Vol. 31, pp.172-87, London, Summer 1990.Leff, Leonard and Jerold L. Simmons. The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s. New York: Grove Weidenfeld, 1990.
Hendershot, Heather, "Saturday Morning Censors: Television Regulation Before theV-Chip (Console-Ing Passions)", Duke University Press, Durham 1999.
Harlovich, Mary Beth, "The Proletarian Women's Film of the 1930s","Screen", Vol. 31, pp.172-87, London, Summer 1990.
Hilvert, John, "Blue Pencils Warriors: Censorship and Propaganda in W.W.II",pp.258, University of Queensland Press, St. Lucia, Queesnsland, 1984.
Hohenberg, John, "Free Press free people; the best cause", pp. 514, ColombiaUniversity Press, New York, 1971.
Hunnings, Neville , "Video Censors", "Sight and Sound", Vol. 53,pp. 168-171, Spring 1984.
Jacobs, Lea, "The Censorship of Blonde Venus", "Cinema Journal",Vol. 27, pp. 21-31, University of Illinois Press, Champaign, IL, Spring 1988.
Jacobs, Lea, "The Wages of Sin: Censorship and the Fallen Woman Film1928-1942", University of California Press, Berkeley, 1997.
Johnson, William Bruce. Miracles & Sacrilege: Roberto Rossellini, the Church & Film Censorship in Hollywood. Toronto: University of Toronto Press, 2008.
Kennedy, Harlan, "For Queens and Country", "Film Comment", Vol. 25,pp.15-16, New York, January/February 1989.
Kennedy, Harlan, "Soviet Spring, Film Releases and Russian Reform","Film Comment", Vol. 23, pp. 34-36, May/June 1987.
Kenyota, Gregory. Thinking of the Children: The Failure of Violent Video Game Laws. 18 Fordham Intell. Prop. Med. & Ent. L. J. 785 (2008).
Kronlund, Sonia, "Blaspheme", "Cahiers du Cinema", Vol. 430, pp.10, April 1990.
Kuhn, Annette, "Cinema, Censorship, and Sexuality 1909-25","Sub-stance", Iss 60, pp 114-117, Sub-Stance, Inc., Madison, WI, 1989.
Leab, Daniel J. Orwell Subverted: The CIA and the Filming of Animal Farm. University Park, PA: The Pennsylvania State University Press, 2007.
Leff, Simmons and Leonard, Jerold L., "No trollops, no tomcats (The Dame in theKimono)", "American Film", Vol. 15, pp. 40-43, 52-54, BPI Communications,Inc., Hollywood, CA, December 1989.
Lewis, Jon, "Hollywood v. Hard Core. How the Struggle over Censorship Saved theModern Film Industry", New York University Press, New York and London, 2000.
Marx, Karl, "On Freedom of the Press and Censorship", pp. 208, McGraw-Hill, New York, 1974.
Mills, Kay. Changing channels: the civil rights case that transformed television. Jackson: University Press of Mississippi, 2004.
Munro, Colin R., "Television, Censorship and the Law", pp. 194, Saxon House,Farnborough, England, 1979.
Murray, David; Schwartz, Joel; and Lichter, S. Robert, "It Ain’t Necessarily So: How Media Make and Unmake the Scientific Picture of Reality," Lanham, MD: Rowman & Littlefield Publishers, Inc., 2001.
Petrie, Ruth; Pertie, Ruth, "Film and Censorship: The Index Reader (Cassell FilmStudies)", Cassell Academic, 1997.
Phillips, Peter and Project Censored, "Censored 1997: The News That Didn't Makethe News-The Year's Top 25 Censored News Stories", Seven Stories Press, New York,1997.
Phillips, Peter and Project Censored, "Censored 1998: The News That Didn't Makethe News-The Year's Top 25 Censored News Stories", Seven Stories Press, New York,1998.
Phillips, Peter and Project Censored, "Censored 1999: The News That Didn't Makethe News-The Year's Top 25 Censored News Stories", Seven Stories Press, New York,1999.
Phillips, Peter and Project Censored, "Censored 2000: The News That Didn't Makethe News-The Year's Top 25 Censored News Stories", Seven Stories Press, New York,2000.
Phillips, Peter and Project Censored, "Censored 2001: 25 Years of Censored Newsand the Top Censored Stories of the Year", Seven Stories Press, New York, 2001.
Prince, Stephen. Classical film violence : designing and regulating brutality in Hollywood cinema, 1930-1968. New Brunswick, N.J.: Rutgers University Press, 2003.
Rigney, Jacob T. "Avoiding Slim Reasoning and Shady Results: A Proposal for Indecency and Obscenity Regulation in Radio and Broadcast Television" in Federal Communications Law Journal, Mar. 2003, Vol. 55 Issue 2, p297, 34p.
Robb, David L., "Operation Hollywood: How the Pentagon Shapes and Censors the Movies," New York: Prometheus Books, 2004.
Ruben, David, "Breaking the South Africa News Ban", "Connoisseur",Vol. 219, pp. 31, New York, June 1989.Randall, Richard S., "Censorship of the Movies: Social & Political....",xvi., pp. 280, University of Wisconsin Press, Madison, WI, 1968.
Sanford, Bruce W., "Don’t Shoot the Messenger: How Our Growing Hatred of the Media Threatens Free Speech for All of Us," New York: Free Press, 1999.
Semonche, John. Censoring Sex: A Historical Journey through American Media. Lanham, MD: Rowman & Littlefield Publishers, Inc., 2007.
Schulte, Henry F., 'The Spanish Press, 1470-1966", pp. 280, University of IllinoisPress, Urbana, IL, 1968.
Standing Comm. on Education, Science and the Arts, Australian Senate, Reference:Broadcasting and T.V. (official Hansard report), Canberra, Auustralia, 1972-73.
Stein, Laura. Speech Rights in America: The First Amendment, Democracy & the Media (A History of Communication). Champaign, IL: University of Illinois Press, 2007.
Strohm, Claire, "Il est interdit de desesperer", "Cahiers duCinema", Vol. 431/432, pp. 79, May 1990.
Strong, R.A. & J.A., "Mr. Chipp and the Porno-Push", pp. 40, Minton,Melbourne, 1971.
Strutzgatz, Barry, "Notes on the blacklist--Lardner", "FilmComment", Vol. 24, pp. 52-54, September/October 1988.
Sweeney, Michael S., "Secrets of Victory: The Office of Censorship and the American Press and Radio in World War II", University of North Carolina Press, NC,2001.
Sun, Hs¸-p`ei. Orchestra of voices: making the argument for greater speech and press freedom in the People's Republic of China. Westport, Conn. : Praeger, 2001.
Thompson, Loren B., "The Press and the Pentagon", "The AmericanEnterprise", Vol. 3, pp14-16, The American Enterprise Institute, Washington, D.C.,January 1992.
Vanhorne, H., "The Moral Majority and U.S. (t.v. censorship)","Television Quarterly", Vol 18 Iss 1 pp 65, National Academy of Television Artsand Sciences, Beverly Hills, CA, 1981.
Werner, Gosta, "Fritz Lang and J. Goebbels: myths and facts", "FilmQuarterly", Vol. 43, pp. 24-27, University of California Press, Berkeley, Spring1990.
Winnick, Charles, "Taste the Censor in the Television", Fund For the RepublicInc., 1959.
Wittern-Keller, Laura. Freedom of the Screen: Legal Challenges to State Film Censorship, 1915-1981. Lexington, KY: University Press of Kentucky, 2008.
Wood, Brett, "The Witch, the Devil, and the Code", "Film Comment",Vol. 28, pg 52-56, November/December 1992.
VISUAL ART
Arthurs, Alberta; Wallach, Glenn, (eds.), "Crossroads: Art and Religion inAmerican Life", The New Press, New York, 2001.
Australian Parliament, "Joint Select Committee on Video Material", Vol. 2,APGB, Canberra, April, 1988.
Becker, Carol, ed. The Subversive Imagination: Artists, Society, and Social Responsibility. New York: Routledge, 1994.
Bruckner, D.J.R., "Art Against War: 400 years of Protest in Art", pp. 128,Abbeville Press, New York, 1984.
Brenson, Michael, "Visionaries and Outcasts: The NEA, Congress, and the Place ofthe Visual Arts in America", The New Press, New York, 2001.
Carmilly-Weinberger, Moshe, "Fear of Art", R.R. Bowker Company, New York& London, 1986.
Childs, Elizabeth, "Suspended License: Censorship and the Visual Arts ",University of Washington Press, 1997.
Choldin, Marianna Tax and Friedberg, Maurice (eds.), "The Red Pencil: artists,scholars and censors in the U.S.S.R.", pp. 240, Unwin Hyman, Boston, 1989.
Clapp, Jane, "Art Censorship; a chronology of proscribed...", pp. 582,Scarecrow, Metuchen, N.J., 1972.
Collins, Kathleen, "Photography & Politics in Rome", "History ofPhotgraphy" Vol. 9, pp. 295-304, October/December 1985.
DiMaggio, Paul. Impact of Public Funding on Organizations in the Arts. New Haven: Institution for Social and Policy Studies, Yale University, 1981.
Driskel, Michel Paul, "Singing the Marseillaise in 1840", "The ArtBulletin", Vol. 69, pp. 604-625, December 1987.
Dubin , Steven, "Arresting Images", Routledge Publishing, New York, 1992.
Freedman, Leonard. The Offensive Art: Political Satire & Its Censorship Around the World from Beerbohm to Borat. Westport, CT: Praeger Publishers, 2008.
Goldstein, Robert Justin, "Approval First, Caricature 2nd; French caract.","The Print Collector's Newsletter", Vol. 19, pp. 48-50, May/June 1988.
Goldstein, Robert Justin, "The Debate Over Censorship of Caricature...","Art Journal", Vol. 48, pp. 9-15, N.Y. College Art Association of America, NewYork, Spring 1989.
Gurstein, Rochelle. The Repeal of Reticence: a history of America's cultural and legal struggles over free speech, obscenity, sexual liberation, and modern art. New York: Hill and Wang, 1996.
Heartney, Eleanor. Postmodern Heretics: the Catholic imagination in contemporary art. New York: Midmarch Arts Press, 2004.
Kramer, Margia, "Andy Warhol et al.: the FBI file in Andy Warhol", pp. 57,UnSub Press, New York, 1988.
Lucie-Smith, Edward. Censoring the Body (Manifestos for the 21st Century). Kolkota: Seagull Books, 2007.
Lyons, Charles, "The New Censors: Movies and the Culture Wars (Culture and MovingImage)", Temple University Press, 1997.
Lorraine, Kenny, "Provincial Censorship, "AFTERIMAGE", Vol. 12, pp. 4,November 1984.
MacAdam, Barbara A., "Saved by the Chisel", "ARTnews", Vol. 90, pp.23, ARTnews Associates, New York, November 1991.
MacPhee, Josh. Realizing the Impossible: Art Against Authority. Oakland, CA: AK Press, 2008.
Malcolm, Derek and Petley, Julian,"Codes of Practice", "Sight and Sound", Vol. 59, pp. 22-27, Winter1989-90.
McEvilley, Thomas, "Who Told Thee That Thou Wasn't Naked", "Art ForumInternational", Vol. 25. pp. 102, Art Forum, New York, February 1987.
Meyer, Richard, "Outlaw Representation: Censorship and Homosexuality inTwentieth-Century American Art (Ideologies of Desire)", Oxford University Press,2002.
Mitchell, Claudine, "Intellectuality and Sexuality", "Art History",Vol. 12, pp. 419-447, Routledge and K. Paul, Boston, December 1989.
Murphy, Jay, "Report from Havana; testing the limits", "Art inAmerica", Vol. 80, pp. 65-67, F.F. Sherman, New York, October 1992.
Negash, Girma. "Resistant Art and Censorship in Africa" in Peace Review. Jun 2003, Vol. 15 Issue 2, p133, 7p.
Noble, Joseph Veach, "Nude....or Naked?", "Sculpture Review", Vol.40 No. 3, pp. 20-27, 1991.
O' Neil, Robert, "Artistic Freedom and Academic Freedom", "Law andContemporary Problems", Vol. 53, no. 3, pp. 177-193, Summer 1990.
Ochoa, Victor, "Public Art in the Border Region", "Artweek", Vol.23, pp.19, April 9, 1992.
Ohear, A., "Art and Censorship", "Journal of Philosophy", Vol 66,Iss 258, pp 512-516, Journal of Philosophy Inc. (Columbia Univ.), New York, 1991.
Peter, Jennifer A.; Crosier, Louis (eds.), "The Cultural Battlefield: ArtCensorship and Public Funding", Avocus Publishing, Gilsum, 1995.
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INTERNET
Bissonnette, Susan Travis. "Smothering Free Speech: Filtering the World Wide Web" in Journal of Library Administration. 2003, Vol. 39 Issue 2/3, p. 87, 19p.
Dautrich, Kenneth; Yalof, David. The Future of the First Amendment: The Digital Media, Civic Education and Free Expression Rights in America’s High School. Lanham, MD: Rowman & Littlefield Publishers, Inc., 2007.
Endeshaw, Assafa. "Internet Regulation in China: The Never-ending Cat and Mouse Game" in Information & Communications Technology Law. Mar. 2004, Vol. 13 Issue 1, p41, 17p.
Kolbert, Kathryn; Mettger, Zak (eds.), "Justice Talking: Censoring the Web:Leading Advocates Debate Today's Most Controversial Issues", The New Press, New York,2002.
Lipschultz, Jeremy. Broadcast & Internet Indecency: Defining Free Speech. Philadelphia: Lawrence Erlbaum, 2007.
Mehta, Michael. "Censoring Cyberspace" in Asian Journal of Social Science. 2002, Vol. 30 Issue 2, p319, 20p. This paper explores how Canada and the United States of America have attempted to control of the flow of contentious material coming through the Internet. The paper focuses on the issue of controlling obscene material and provides several case-law examples to illustrate how attempts at censorship have evolved over the decades in both countries. It is concluded that censorship is a tool of the nation-state that is unlikely to significantly reduce the amount of contentious material crossing borders.
Ringmar, Erik. A Blogger’s Manifesto: Free Speech & Censorship in a Digital World. London: Anthem Press, 2007. Rogers, Jacob. A Passive Approach to the Regulation of Virtual Worlds. 76 Geo. Wash. L. Rev. 405 (2008).
Sobel, David, "Filters and Freedom 2.0: Free Speech Perspectives on InternetContent Controls", Electronic Privacy Information Center, Washington, 2001
Thierer, Adam and Clyde Wayne Crews, Jr., ed. Who rules the net? : Internet governance and jurisdiction. Washington, D.C. : Cato Institute, 2003.
Williams, Kara D. Public Schools vs. MySpace & Facebook: The Latest Challenge to Student Speech Rights. 76 U. Cin. L. Rev. 707 (2008).
