Open Casket: Difference between revisions

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[http://ncac.org/blog/your-primer-on-the-whitney-biennial-controversy-a-timely-and-necessary-exchange NCAC’s Primer On The Whitney Biennial Controversy: A Timely and Necessary Exchange]  
[http://ncac.org/blog/your-primer-on-the-whitney-biennial-controversy-a-timely-and-necessary-exchange NCAC’s Primer On The Whitney Biennial Controversy: A Timely and Necessary Exchange]  


[http://whitney.org/Exhibitions/2017Biennial Whitney Museum]
[http://whitney.org/Exhibitions/2017Biennial 2017 Whitney Biennial] website


AFTER “OPEN CASKET”: WHAT EMMETT TILL TEACHES US TODAY
[http://artseverywhere.ca/2017/04/12/open-casket/ Open Casket],Sarah Schulman, ArtsEverywhere, April 12, 2017
"To stand before Till’s casket was an emotional experience. It also brought some retrospective clarity to the biggest art controversy of 2017."
by SIDDHARTHA MITTER
MARCH 12, 2018
https://www.villagevoice.com/2018/03/12/after-open-casket-what-emmett-till-teaches-us-today/


How the Dana Schutz Controversy—and a Year of Reckoning—Have Changed Museums Forever
[https://www.villagevoice.com/2018/03/12/after-open-casket-what-emmett-till-teaches-us-today/ AFTER “OPEN CASKET”: WHAT EMMETT TILL TEACHES US TODAY], by SIDDHARTHA MITTER, The Village Voice, MARCH 12, 2018 ("To stand before Till’s casket was an emotional experience. It also brought some retrospective clarity to the biggest art controversy of 2017.")
Glenn Lowry, Adam Weinberg, and other museum leaders describe how a year of protest changed the way they view their institutions' roles, Julia Halperin, artnet, March 6, 2018
 
https://news.artnet.com/art-world/dana-schutz-controversy-recent-protests-changed-museums-forever-1236020
[https://news.artnet.com/art-world/dana-schutz-controversy-recent-protests-changed-museums-forever-1236020 How the Dana Schutz Controversy—and a Year of Reckoning—Have Changed Museums Forever],
Glenn Lowry, Adam Weinberg, and other museum leaders describe how a year of protest changed the way they view their institutions' roles, by Julia Halperin, artnet, March 6, 2018