Template:MainPageCaseDescription: Difference between revisions

From Censorpedia

No edit summary
No edit summary
 
Line 4: Line 4:
{{Display censorship incident
{{Display censorship incident
|ongoing=no
|ongoing=no
|year=2016
|year=2014
|region=Asia
|region=Asia
|artist=Huỳnh Công (Nick) Út
|artist=Hong Seong-dam
|confronting_bodies=Facebook
|subject=Political/Economic/Social Opinion
|medium=Electronic Media, Internet, Photography
|confronting_bodies=City government of Gwangju, South Korea
|date_of_action=September 2016
|medium=Painting
|location=Online
|date_of_action=August, 2014
|description_of_content=On June 8, 1972, while serving as a photographer with the Associated Press, Huỳnh Công Út — who works under the professional name Nick Ut — took "The Terror of War," an infamous photo of nine-year-old Kim Phúc running away from a napalm attack during the Vietnam War.
|location=Gwangju Biennale, Gwangju, South Korea
|description_of_incident=In early September 2016, Norwegian Prime Minister Erna Solberg denounced Facebook for engaging in censorship after the company deleted a post from her personal Facebook page that displayed Ut's iconic Vietnam War photo of a naked girl running screaming from a napalm attack.
|description_of_content=A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.
 
|description_of_incident=The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.
"While we recognize that this photo is iconic, it's difficult to create a distinction between allowing a photograph of a nude child in one instance and not others," said a Facebook statement addressing the issue.
|description_of_result=In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its  curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.
|description_of_result=Following widespread criticisms from news organizations and media experts across the globe, Facebook reversed its initial decision, saying in a statement to the Guardian: “After hearing from our community, we looked again at how our Community Standards were applied in this case. An image of a naked child would normally be presumed to violate our Community Standards, and in some countries might even qualify as child pornography. In this case, we recognize the history and global importance of this image in documenting a particular moment in time.
|image=park1.jpg
 
|source=http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587
The statement continued: “Because of its status as an iconic image of historical importance, the value of permitting sharing outweighs the value of protecting the community by removal, so we have decided to reinstate the image on Facebook where we are aware it has been removed.
 
Facebook also said it would “adjust our review mechanisms to permit sharing of the image going forward”. The company said the image would be available for sharing “in the coming days” and that it is “always looking to improve our policies to make sure they both promote free expression and keep our community safe”.
|image=Screen Shot 2023-07-27 at 12.09.42 PM.png
|source=https://www.washingtonpost.com/news/the-intersect/wp/2016/09/09/abusing-your-power-mark-zuckerberg-slammed-after-facebook-censors-vietnam-war-photo/, https://www.wsj.com/articles/norway-accuses-facebook-of-censorship-over-deleted-photo-of-napalm-girl-1473428032, https://www.bbc.com/news/technology-37318031, https://www.theguardian.com/technology/2016/sep/09/facebook-reinstates-napalm-girl-photo, https://www.nbcnews.com/tech/social-media/facebook-under-fire-censoring-iconic-napalm-girl-photo-n645526
}}
}}
</onlyinclude>

Latest revision as of 20:54, 18 October 2023

Please add the case description between the two tags. The content (description) shown below will be shown on Main Page.



Park1.jpg

Artist: Hong Seong-dam

Year: 2014

Date of Action: August, 2014

Region: Asia

Location: Gwangju Biennale, Gwangju, South Korea

Subject: Political/Economic/Social Opinion

Medium: Painting

Confronting Bodies: City government of Gwangju, South Korea

Description of Artwork: A 32-foot-wide painting, which portrays, among other elements, Korean president Park Geun-hye as a maniacal scarecrow facing off against angered parents of children who died in the sinking of the MV Sewol ferry in April, 2014, a national tragedy that has had huge political repercussions. Park is being held back by former president Park Chung-hee (her late father), and her chief of staff Kim Ki-choon.

The Incident: The Biennale Foundation initially claimed that the work’s exclusion from the exhibition had nothing to do with politics and was purely logistical—Hong simply submitted the work late. But it was later revealed that the decision to withhold the painting from the 20th anniversary exhibition was in fact prompted by the city of Gwangju, which sponsors the exhibition to the tune of $2.4 million for this year’s Biennale. The city government had asked that Hong change the painting.

Results of Incident: In response to the censorship of Hong’s work, other artists featured in “Sweet Dew” removed their works from the exhibition and its curator, Yun Beom-mo, resigned. The president of the Gwangju Biennale Foundation, Lee Yong-woo, also resigned. The case has provoked international protests and has been covered widely.

Source:
http://news.artnet.com/art-world/gwangju-biennale-president-resigns-over-censorship-82587