Our Lady (photograph): Difference between revisions

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====Date: [[:Category:1995 - 2005|1995 - 2005]] [[:Category:|]] [[:Category:|]]====
====Date: [[:Category:2001|2001]]====


====Region: [[:Category:North America|North America]] [[:Category:|]] [[:Category:|{location3}]]====
====Region: [[:Category:North America|North America]]====


====Subject: [[:Category:Religious|Religious]] [[:Category:|]] [[:Category:|]]====
====Subject: [[:Category:Religion|Religion]]====


====Medium: [[:Category:Photography|Photography]] [[:Category:|]] [[:Category:|]]====
====Medium: [[:Category:Photography|Photography]]====
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[[File:OurLady.jpeg|right|200px]]
'''Artist:''' Alma Lopez
'''Artist:''' Alma Lopez


'''Confronting Bodies:''' Catholic groups in Santa Fe
'''Confronting Bodies:''' Catholic groups in Santa Fe


'''Dates of Action:''' April 2001
'''Dates of Action:''' April, 2001


'''Location:''' International Museum of Folk Art, Santa Fe, New Mexico, USA. The work was part of the exhibit Cyber Arte: Where Tradition Meets Technology.
'''Location:''' International Museum of Folk Art, Santa Fe, New Mexico, USA. The work was part of the exhibit Cyber Arte: Where Tradition Meets Technology.


'''Description of Artwork:''' Our Lady is a digital photograph representing the Virgin of Guadalupe. While familiar Guadalupe imagery is present-the rays of light, the cloak, the roses, the crescent moon, the angel-the virgin herself is represented by a photograph of a friend of the artist, hands on her hips and head defiantly raised, her robe open and revealing rose-laden undergarments. A topless woman represents the angel below; her arms outstretched and butterfly wings extending from her shoulders and back. According to the artist, the idea was to portray the virgin as a strong and nurturing woman very much like the women in the community that Alma López grew up in.
'''Description of Artwork:''' ''Our Lady'' is a digital photograph representing the Virgin of Guadalupe. While familiar Guadalupe imagery is present-the rays of light, the cloak, the roses, the crescent moon, the angel-the virgin herself is represented by a photograph of a friend of the artist, hands on her hips and head defiantly raised, her robe open and revealing rose-laden undergarments. A topless woman represents the angel below; her arms outstretched and butterfly wings extending from her shoulders and back. According to the artist, the idea was to portray the virgin as a strong and nurturing woman very much like the women in the community that Alma López grew up in.


'''The Incident:''' Our Lady provoked much protest from the Catholic community in Santa Fe. The Roman Catholic Archbishop, Michael Sheehan, claimed that the Virgin was depicted as a "tart," is sacrilegious to New Mexicans who have a deep religious devotion to Guadalupe, and should not be shown in a tax-supported museum. Reaction to the work was widespread and heated. A public meeting was held, drawing a crowd of just under 800 to hear an array of speakers and opinions.
'''The Incident:''' ''Our Lady'' provoked much protest from the Catholic community in Santa Fe. The Roman Catholic Archbishop, Michael Sheehan, claimed that the Virgin was depicted as a "tart," is sacrilegious to New Mexicans who have a deep religious devotion to Guadalupe, and should not be shown in a tax-supported museum. Reaction to the work was widespread and heated. A public meeting was held, drawing a crowd of just under 800 to hear an array of speakers and opinions.


'''Results of Incident:''' The Museum of New Mexico Committee on Sensitive Materials recommended that the work remain on display.  As a compromise, however, the duration of the whole exhibit was shortened by several months.
'''Results of Incident:''' The Museum of New Mexico Committee on Sensitive Materials recommended that the work remain on display.  As a compromise, however, the duration of the whole exhibit was shortened by several months.
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'''Source:''' NCAC
'''Source:''' NCAC


[[Category:1995 - 2005]]
[[Category:2001]]
[[Category:]]
[[Category:2000s]]
[[Category:]]
[[Category:21st century]]
[[Category:North America]]
[[Category:North America]]
[[Category:]]
[[Category:United States]]
[[Category:]]
[[Category:New Mexico]]
[[Category:Religious]]
[[Category:Sante Fe]]
[[Category:]]
[[Category:Religion]]
[[Category:]]
[[Category:Photography]]
[[Category:Photography]]
[[Category:]]
[[Category:]]
[[Category:Alma Lopez]]
[[Category:Alma Lopez]]


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{{DISPLAYTITLE:<span style="font-style: italic;">Our Lady</span> (photograph)}}

Latest revision as of 21:24, 27 July 2011

Date: 2001

Region: North America

Subject: Religion

Medium: Photography


OurLady.jpeg

Artist: Alma Lopez

Confronting Bodies: Catholic groups in Santa Fe

Dates of Action: April, 2001

Location: International Museum of Folk Art, Santa Fe, New Mexico, USA. The work was part of the exhibit Cyber Arte: Where Tradition Meets Technology.

Description of Artwork: Our Lady is a digital photograph representing the Virgin of Guadalupe. While familiar Guadalupe imagery is present-the rays of light, the cloak, the roses, the crescent moon, the angel-the virgin herself is represented by a photograph of a friend of the artist, hands on her hips and head defiantly raised, her robe open and revealing rose-laden undergarments. A topless woman represents the angel below; her arms outstretched and butterfly wings extending from her shoulders and back. According to the artist, the idea was to portray the virgin as a strong and nurturing woman very much like the women in the community that Alma López grew up in.

The Incident: Our Lady provoked much protest from the Catholic community in Santa Fe. The Roman Catholic Archbishop, Michael Sheehan, claimed that the Virgin was depicted as a "tart," is sacrilegious to New Mexicans who have a deep religious devotion to Guadalupe, and should not be shown in a tax-supported museum. Reaction to the work was widespread and heated. A public meeting was held, drawing a crowd of just under 800 to hear an array of speakers and opinions.

Results of Incident: The Museum of New Mexico Committee on Sensitive Materials recommended that the work remain on display. As a compromise, however, the duration of the whole exhibit was shortened by several months.

Source: NCAC